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Coleccio\u0301n de Fotos del Perio\u0301dico El Mundo. [Ricardo Alegri\u0301a recibiendo donativo de la compan\u0303i\u0301a ESSO para la adquisicio\u0301n de obras de arte] n\/d.<\/p>\n\n\n\n
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Texto completo \/ Full text<\/strong> T\u00edtulo:<\/strong> El Salo\u0301n Esso para artistas jo\u0301venes: Puerto Rico (1964) Abstract<\/strong>: The Esso Salon of Young Artists in Puerto Rico (1964) was sponsored by the Organization of American States, Esso Standard Oil, and the Institute of Puerto Rican Culture. Through an analysis of archival materials and silences, this research reconstructs the narrative of the Esso Salon and frames it within a cultural debate about abstraction, nationalism, and colonial relations between the United States and Puerto Rico. It argues how U.S. sponsors and winning paintings reflected and reinforced colonial power dynamics by influencing critiques of abstraction within the local Puerto Rican art scene.<\/p>\n\n\n\n Keywords<\/strong>: abstraction, Puerto Rico, modern art, Esso, OAS<\/p>\n\n\n\n Secci\u00f3n<\/strong>: Art\u00edculos \/ Section<\/strong>: Articles<\/p>\n\n\n\n Recibido \/ Received:<\/strong> 30 de mayo de 2025 Aceptado \/ Accepted:<\/strong> 7 de mayo de 2026 Cita recomendada<\/strong>: Figueroa de Jes\u00fas, Ana Hilda. \u201cEl Salo\u0301n Esso para artistas jo\u0301venes: Puerto Rico (1964)\u201d Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 30 de septiembre de 2026, humanidades.uprrp.edu\/visiondoble<\/p>\n","protected":false},"excerpt":{"rendered":" Coleccio\u0301n de Fotos del Perio\u0301dico El Mundo. [Ricardo Alegri\u0301a recibiendo donativo de la compan\u0303i\u0301a ESSO para la adquisicio\u0301n de obras de arte] n\/d. Texto completo \/ Full textPDF\u00a0\/\u00a0EPUB T\u00edtulo: El Salo\u0301n Esso para artistas jo\u0301venes: Puerto Rico (1964)Title: The Esso Salon for Young Artists: Puerto Rico (1964) Autor \/ Author: Ana Hilda Figueroa de Jes\u00fas […]\n","protected":false},"author":161,"featured_media":7335,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[655,664,1083,2136,1089,2138,2137,295],"class_list":["post-7333","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-abstraccion","tag-abstraction","tag-arte-moderno","tag-esso","tag-modern-art","tag-oas","tag-oea","tag-puerto-rico"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/161"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=7333"}],"version-history":[{"count":5,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7333\/revisions"}],"predecessor-version":[{"id":7352,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7333\/revisions\/7352"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/7335"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=7333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=7333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=7333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
PDF\u00a0<\/a>\/\u00a0EPUB<\/a><\/strong><\/p>\n\n\n\n
Title:<\/strong> The Esso Salon for Young Artists: Puerto Rico (1964)<\/p>\n\n\n\n
Autor \/ Autho<\/strong>r: Ana Hilda Figueroa de Jes\u00fas
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Resumen<\/strong>: El Sal\u00f3n Esso Para Artistas J\u00f3venes en Puerto Rico (1964) fue patrocinado por la Organizaci\u00f3n de Estados Americanos, Esso Standard Oil y el Instituto de Cultura Puertorrique\u00f1a. Mediante un an\u00e1lisis de materiales y silencios archiv\u00edsticos, esta investigaci\u00f3n reconstruye la narrativa del Sal\u00f3n Esso y lo enmarca dentro de un debate cultural sobre la abstracci\u00f3n, el nacionalismo y las relaciones coloniales entre Estados Unidos y Puerto Rico. Se argumenta c\u00f3mo los patrocinadores estadounidenses y las pinturas ganadoras reflejaron y reforzaron din\u00e1micas de poder colonial, influyendo la cr\u00edtica contra la abstracci\u00f3n dentro de la escena art\u00edstica local puertorrique\u00f1a.
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Palabras clave<\/strong>: abstracci\u00f3n, Puerto Rico, arte moderno, Esso, OEA<\/p>\n\n\n\n
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