{"id":7314,"date":"2026-09-15T14:36:46","date_gmt":"2026-09-15T18:36:46","guid":{"rendered":"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=7314"},"modified":"2026-09-15T14:42:57","modified_gmt":"2026-09-15T18:42:57","slug":"impressions-of-belonging-a-conversation-with-elisa-dore","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/impressions-of-belonging-a-conversation-with-elisa-dore\/","title":{"rendered":"Impressions of Belonging: A Conversation with Elisa Dore"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Figure 1: Elisa Dore, <em>Circular Migration<\/em>, 2026, Woodcut on muslin, steel, 52 x 288 in.<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-align-right wp-block-paragraph\"><strong>Texto completo \/ Full text<\/strong><br><strong><a href=\"https:\/\/drive.google.com\/file\/d\/1zPg9s-THRWpB_FwNurHNQRgv6FFSokZi\/view\">PDF&nbsp;<\/a>\/&nbsp;<a href=\"https:\/\/drive.google.com\/file\/d\/1VfLYT_0KyQ3gTlZrLxM4NQxviziKZuHQ\/view\">EPUB<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>T\u00edtulo:<\/strong> Impresiones de pertenecer: Una Conversaci\u00f3n con Elisa Dore<br><strong>Title:<\/strong> Impressions of Belonging: A Conversation with Elisa Dore<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><strong>Autor \/ Autho<\/strong>r: estefan\u00eda vallejo santiago<br>Art History PhD Candidate, Florida State University<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><strong>Resumen<\/strong>: estefan\u00eda vallejo santiago entrevista a la artista puertorrique\u00f1a ubicada en Atlanta, Elisa Dore, sobre su pr\u00e1ctica de grabado y el pertenecer. Usando fotograf\u00edas familiares, la cultura puertorrique\u00f1a y la geograf\u00eda de Puerto Rico y el sur de los Estados Unidos como punto de partida, Dore discute c\u00f3mo la distancia y la herencia le dan forma a su puertorrique\u00f1idad. La conversaci\u00f3n gira en torno al grabado como archivo; el tallado, la transferencia, repetici\u00f3n y labor material le da forma f\u00edsica a la memoria y verbaliza el desplazamiento. Obras como <em>Circular Migration<\/em> (2026), <em>Herramienta <\/em>(2025) y <em>How Islands Are Formed<\/em> (2026) exploran la representaci\u00f3n de Puerto Rico, figuras en el paisaje y la manera en que Dore utiliza la escala, la instalaci\u00f3n y las rejas para mostrar qu\u00e9 se transfiere a trav\u00e9s de lugares.<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Abstract<\/strong>: estefan\u00eda vallejo santiago interviews Atlanta-based Puerto Rican artist Elisa Dore about her printmaking practice on belonging. Using family photos, Puerto Rican culture, and geography of Puerto Rico and the U.S. South, Dore discusses how distance and inheritance shape her Puerto Ricanness. The conversation covers printmaking as both grabado and record, with carving, transfer, repetition, and material labor giving memory physical form and a language for displacement. Works like <em>Circular Migration<\/em> (2026), <em>Herramienta <\/em>(2025), and <em>How Islands Are Formed<\/em> (2026) explore representing Puerto Rican land, figures in landscape, and Dore\u2019s use of scale, installation, and rejas to show what is carried across places.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><strong>Palabras clave<\/strong>: Elisa Dore, Puerto Rico, grabado, arte puertorrique\u00f1o, di\u00e1spora, migraci\u00f3n, paisaje, memoria, el Sur estadounidense<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Keywords<\/strong>: Elisa Dore, Puerto Rico, printmaking, Puerto Rican art, diaspora, migration, landscape, memory, U.S. South<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Secci\u00f3n<\/strong>: Ingl\u00e9s \/ <strong>Section<\/strong>: English<br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cita recomendada<\/strong>: vallejo santiago, estefan\u00eda. \u201cImpressions of Belonging: A Conversation with Elisa Dore\u201d <em>Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 15 de septiembre de 2026, humanidades.uprrp.edu\/visiondoble<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resumen: Estefan\u00eda Vallejo Santiago entrevista a la artista puertorrique\u00f1a ubicada en Atlanta, Elisa Dore, sobre su pr\u00e1ctica de grabado y el pertenecer. Usando fotograf\u00edas familiares, la cultura puertorrique\u00f1a y la geograf\u00eda de Puerto Rico y el sur de los Estados Unidos como punto de partida, Dore discute como la distancia y la herencia le dan forma a su puertorrique\u00f1idad. La conversaci\u00f3n gira en torno al grabado como archivo; el tallado, la transferencia, repetici\u00f3n y labor material le da forma f\u00edsica a la memoria y verbaliza el desplazamiento. Obras como Circular Migration (2026), Herramienta (2025) y How Islands Are Formed (2026) exploran la representaci\u00f3n de Puerto Rico, figuras en el paisaje y la manera en que Dore utiliza la escala, la instalaci\u00f3n y las rejas para mostrar qu\u00e9 se transfiere a trav\u00e9s de lugares.<\/p>\n<p>Abstract: Estefan\u00eda Vallejo Santiago interviews Atlanta-based Puerto Rican artist Elisa Dore about her printmaking practice on belonging. Using family photos, Puerto Rican culture, and geography of Puerto Rico and the U.S. South, Dore discusses how distance and inheritance shape her Puerto Ricanness. The conversation covers printmaking as both grabado and record, with carving, transfer, repetition, and material labor giving memory physical form and a language for displacement. Works like Circular Migration (2026), Herramienta (2025), and How Islands Are Formed (2026) explore representing Puerto Rican land, figures in landscape, and Dore\u2019s use of scale, installation, and rejas to show what is carried across places.<\/p>\n","protected":false},"author":160,"featured_media":7315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,8],"tags":[928,58,2008,2135,2134,149,352,322,327,1725,1727,351,641,273,295],"class_list":["post-7314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-front","category-entrevistas","tag-arte-puertorriqueno","tag-diaspora","tag-diaspora-2","tag-el-sur-estadounidense","tag-elisa-dore","tag-grabado","tag-landscape","tag-memoria","tag-memory","tag-migracion","tag-migration","tag-paisaje","tag-printmaking","tag-puerto-rican-art","tag-puerto-rico"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7314","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/160"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=7314"}],"version-history":[{"count":4,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7314\/revisions"}],"predecessor-version":[{"id":7327,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7314\/revisions\/7327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/7315"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=7314"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=7314"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=7314"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}