{"id":7218,"date":"2025-12-10T14:06:58","date_gmt":"2025-12-10T18:06:58","guid":{"rendered":"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=7218"},"modified":"2025-12-10T14:06:58","modified_gmt":"2025-12-10T18:06:58","slug":"abriendo-un-portal-la-arqueologia-espiritual-de-jose-luis-vargas-en-el-colegio-invisible","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/abriendo-un-portal-la-arqueologia-espiritual-de-jose-luis-vargas-en-el-colegio-invisible\/","title":{"rendered":"Abriendo un portal: la arqueolog\u00eda espiritual de Jos\u00e9 Luis Vargas en El Colegio Invisible"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p class=\"has-text-align-center\">Jos\u00e9 Luis Vargas, <em>El Colegio Invisible<\/em>, 2025. Fotograf\u00eda: Dalia E. Gonz\u00e1lez.<\/p>\n\n\n\n<p class=\"has-text-align-right\"><strong>Texto completo \/ Full text<\/strong><br><strong><a href=\"https:\/\/drive.google.com\/file\/d\/1Kg_LIzJFqzmnUnpvJvy380JM9GMVEQlZ\/view\">PDF\u00a0<\/a>\/\u00a0<a href=\"https:\/\/drive.google.com\/file\/d\/1GCwDDoSxBdkPPmeGt7Ty-nkBMaBHotM-\/view\">EPUB<\/a><\/strong><\/p>\n\n\n\n<p><strong>T\u00edtulo:<\/strong> Abriendo un portal: la arqueolog\u00eda espiritual de Jos\u00e9 Luis Vargas en <em>El Colegio Invisible<\/em><br><strong>Title:<\/strong> Opening a Portal: The Spiritual Archaeology of Jos\u00e9 Luis Vargas in <em>El Colegio Invisible<\/em><\/p>\n\n\n\n<p><br><strong>Autor \/ Autho<\/strong>r: Jos\u00e9 Juan Gonz\u00e1lez Jim\u00e9nez<\/p>\n\n\n\n<p><br><strong>Resumen<\/strong>: El pintor Jos\u00e9 Luis Vargas y el artista y curador Guillermo Rodr\u00edguez han desarrollado una propuesta de arte que ofusca las l\u00edneas entre instalaci\u00f3n, exhibici\u00f3n, obra de arte y \u201chappening\u201d. La muestra est\u00e1 pensada desde el concepto de los \u201ccolegios invisibles\u201d en la ciencia, entendido como \u201csociedades secretas\u201d en donde intelectuales se re\u00fanen para discutir temas y conceptos que la academia no logra, o no desea, abordar con seriedad. Jos\u00e9 Luis invita a (re)descubrir un espacio hist\u00f3rico deshabitado, la antigua Capilla La Milagrosa de R\u00edo Piedras, un lugar desvestido de su religiosidad cat\u00f3lica, pero a su vez dotado de una espiritualidad secular.<br><\/p>\n\n\n\n<p><strong>Abstract<\/strong>: The painter Jos\u00e9 Luis Vargas and his fellow artist and curator Guillermo Rodriguez have developed an art proposal that blurs the lines between installation, exhibition, artwork and happening. The work is based on the concept of \u201cinvisible colleges\u201d in scientific disciplines, these being understood as \u201csecret societies\u201d where intellectuals gather to discuss concepts that academia doesn\u2019t manage, or in some cases, doesn\u2019t desire to explore seriously. Jos\u00e9 Luis invites us to (re)discover an abandoned landmark, the old La Milagrosa Chapel in R\u00edo Piedras, a space that has been purged of its catholic religiosity and at once endowed with a secular spirituality.<\/p>\n\n\n\n<p><br><strong>Palabras clave<\/strong>: Exhibici\u00f3n, Instalaci\u00f3n, Colegio Invisible, Pintura, Magia, Mutante, Monstruo, Jos\u00e9 Luis Vargas, Guillermo Rodr\u00edguez, Capilla La Milagrosa<\/p>\n\n\n\n<p><strong>Keywords<\/strong>: Exhibition, Installation, Invisible College, Painting, Magic, Mutant, Monster, Jos\u00e9 Luis Vargas, Guillermo Rodr\u00edguez, Capilla La Milagrosa<br><\/p>\n\n\n\n<p><strong>Secci\u00f3n<\/strong>: Obras \/ <strong>Section<\/strong>: Artworks<br><\/p>\n\n\n\n<p><strong>Cita recomendada<\/strong>: Gonz\u00e1lez Jim\u00e9nez, Jos\u00e9 Juan. \u201cAbriendo un portal: la arqueolog\u00eda espiritual de Jos\u00e9 Luis Vargas en El Colegio Invisible.\u201d <em>Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 10 de diciembre de 2025, humanidades.uprrp.edu\/visiondoble<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resumen: El pintor Jos\u00e9 Luis Vargas y el artista y curador Guillermo Rodr\u00edguez han desarrollado una propuesta de arte que ofusca las l\u00edneas entre instalaci\u00f3n, exhibici\u00f3n, obra de arte y \u201chappening\u201d. La muestra est\u00e1 pensada desde el concepto de los \u201ccolegios invisibles\u201d en la ciencia, entendido como \u201csociedades secretas\u201d en donde intelectuales se re\u00fanen para discutir temas y conceptos que la academia no logra, o no desea, abordar con seriedad. Jos\u00e9 Luis invita a (re)descubrir un espacio hist\u00f3rico deshabitado, la antigua Capilla La Milagrosa de R\u00edo Piedras, un lugar desvestido de su religiosidad cat\u00f3lica, pero a su vez dotado de una espiritualidad secular.<\/p>\n<p>Abstract: The painter Jos\u00e9 Luis Vargas and his fellow artist and curator Guillermo Rodriguez have developed an art proposal that blurs the lines between installation, exhibition, artwork and happening. The work is based on the concept of \u201cinvisible colleges\u201d in scientific disciplines, these being understood as \u201csecret societies\u201d where intellectuals gather to discuss concepts that academia doesn\u2019t manage, or in some cases, doesn\u2019t desire to explore seriously. Jos\u00e9 Luis invites us to (re)discover an abandoned landmark, the old La Milagrosa Chapel in R\u00edo Piedras, a space that has been purged of its catholic religiosity and at once endowed with a secular spirituality.<\/p>\n","protected":false},"author":158,"featured_media":7221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[2115,2113,387,303,1648,150,433,2116,920,239,2118,2119,2114,2117,2112,77,25],"class_list":["post-7218","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obras","tag-capilla-la-milagrosa","tag-colegio-invisible","tag-exhibicion","tag-exhibition","tag-guillermo-rodriguez","tag-instalacion","tag-installation","tag-invisible-college","tag-jose-luis-vargas","tag-magia","tag-magic","tag-monster","tag-monstruo","tag-mutant","tag-mutante","tag-painting","tag-pintura"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7218","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/158"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=7218"}],"version-history":[{"count":1,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7218\/revisions"}],"predecessor-version":[{"id":7222,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7218\/revisions\/7222"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/7221"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=7218"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=7218"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=7218"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}