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Rafael J. Rodr\u00edguez, Diario abstracto<\/em>, 2007 (lado izquierdo) y 2017 (lado derecho). Pol\u00edpticos, collage. Museo de Las Am\u00e9ricas, Cuartel Ballaj\u00e1, Viejo San Juan. Fotograf\u00eda: Rafael Rodr\u00edguez<\/p>\n\n\n\n Texto completo \/ Full text<\/strong> T\u00edtulo:<\/strong> Abstracci\u00f3n, memoria y cotidianidad en la obra de Rafael J. Rodr\u00edguez Abstract<\/strong>: Diario Abstracto<\/em>, by Rafael J. Rodr\u00edguez, proposes a rigorous exploration of collage as a medium to register everyday life. The artist turns each fragment into a visual sign that communicates time, emotion and the creative process. His work, based on intuition and on the minute organization of materials, transforms simple elements into structures that function as a visual diary. The exhibition, hosted at the Museo de Las Am\u00e9ricas, was an invitation to examine the relationship between memory, form and perception.<\/p>\n\n\n\n Keywords<\/strong>: Abstract art, Rafael J. Rodr\u00edguez, Collage, Museo de las Am\u00e9ricas, Everyday life Secci\u00f3n<\/strong>: Exhibiciones \/ Section<\/strong>: Exhibitions Cita recomendada<\/strong>: Rom\u00e1n Torres, Naishka N. \u201cAbstracci\u00f3n, memoria y cotidianidad en la obra de Rafael J. Rodr\u00edguez.\u201d Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 18 de noviembre de 2025, humanidades.uprrp.edu\/visiondoble<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Resumen: Diario Abstracto, de Rafael J. Rodr\u00edguez, propone una exploraci\u00f3n rigurosa del collage como medio para registrar la experiencia cotidiana. El artista convierte cada fragmento en un signo visual que articula tiempo, emoci\u00f3n y proceso creativo. Su pr\u00e1ctica, basada en la intuici\u00f3n y en la organizaci\u00f3n minuciosa de materiales, transforma elementos simples en estructuras que funcionan como un diario visual. La exposici\u00f3n, celebrada en el Museo de Las Am\u00e9ricas, fue una invitaci\u00f3n \u00a0a examinar la relaci\u00f3n entre memoria, forma y percepci\u00f3n.
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Title:<\/strong> Abstraction, Memory and Everyday Life in the Work of Rafael J. Rodr\u00edguez<\/p>\n\n\n\n
Autor \/ Autho<\/strong>r: Naishka N. Rom\u00e1n Torres<\/p>\n\n\n\n
Resumen<\/strong>: Diario Abstracto<\/em>, de Rafael J. Rodr\u00edguez, propone una exploraci\u00f3n rigurosa del collage como medio para registrar la experiencia cotidiana. El artista convierte cada fragmento en un signo visual que articula tiempo, emoci\u00f3n y proceso creativo. Su pr\u00e1ctica, basada en la intuici\u00f3n y en la organizaci\u00f3n minuciosa de materiales, transforma elementos simples en estructuras que funcionan como un diario visual. La exposici\u00f3n, celebrada en el Museo de Las Am\u00e9ricas, fue una invitaci\u00f3n a examinar la relaci\u00f3n entre memoria, forma y percepci\u00f3n.<\/p>\n\n\n\n
Palabras clave<\/strong>: Arte abstracto, Rafael J. Rodr\u00edguez, Collage, Museo de las Am\u00e9ricas, Cotidianidad<\/p>\n\n\n\n
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\nAbstract: Diario Abstracto, by Rafael J. Rodr\u00edguez, proposes a rigorous exploration of collage as a medium to register everyday life. The artist turns each fragment into a visual sign that communicates time, emotion and the creative process. His work, based on intuition and on the minute organization of materials, transforms simple elements into structures that function as a visual diary. The exhibition, hosted at the Museo de Las Am\u00e9ricas, was an invitation to examine the relationship between memory, form and perception.<\/p>\n","protected":false},"author":157,"featured_media":7198,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[656,810,317,1030,1034,430,2111],"class_list":["post-7189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-abstract-art","tag-arte-abstracto","tag-collage","tag-cotidianidad","tag-everyday-life","tag-museo-de-las-americas","tag-rafael-j-rodriguez"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7189","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/157"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=7189"}],"version-history":[{"count":6,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7189\/revisions"}],"predecessor-version":[{"id":7213,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/7189\/revisions\/7213"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/7198"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=7189"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=7189"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=7189"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}