{"id":5579,"date":"2021-06-14T16:07:22","date_gmt":"2021-06-14T20:07:22","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5579"},"modified":"2023-01-09T21:10:37","modified_gmt":"2023-01-10T01:10:37","slug":"el-recuerdo-en-materia-los-cuadros-de-cabello-femenino-de-la-casa-cautino-en-guayama","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/el-recuerdo-en-materia-los-cuadros-de-cabello-femenino-de-la-casa-cautino-en-guayama\/","title":{"rendered":"El recuerdo en materia: Los cuadros de cabello femenino de la Casa Cauti\u00f1o en Guayama"},"content":{"rendered":"<p><i>Cuadro ovalado en trenzas de cabello <\/i>(1855). An\u00f3nimo, fabricado en Humacao (Puerto Rico). Colecci\u00f3n de Museo Casa Cauti\u00f1o \/ ICP. Foto suministrada por el Museo Casa Cauti\u00f1o.<\/p>\n<p style=\"text-align: right;\"><strong><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\">Texto completo \/ Full text<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/drive.google.com\/file\/d\/1bwslVHl4lN-ue03GquLe7VOhnFo9s1A2\/view?usp=sharing\">PDF<\/a> \/ <a href=\"https:\/\/drive.google.com\/file\/d\/1-z_P4ZvuLX4rQ5q2NjCJmkUp15--4z6T\/view?usp=sharing\">ePUB<\/a><\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>T\u00edtulo<\/b>: El recuerdo en materia: Los cuadros de cabello femenino de la Casa Cauti\u00f1o en Guayama<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Title<\/b>: Material Memories: Female Hairworks at Casa Cauti\u00f1o in Guayama<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Autor \/ Author<\/b>: Hilian M. Col\u00f3n Hern\u00e1ndez<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Universidad de Salamanca<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Resumen<\/b>: Diferentes conflictos b\u00e9licos y epidemias incrementaron notablemente la mortalidad en el siglo XIX a trav\u00e9s de occidente, algo que tuvo gran influencia en determinadas expresiones art\u00edsticas y artesanales del periodo, cuyo inter\u00e9s era guardar el recuerdo de las personas allegadas. En algunas de ellas, principalmente realizadas por mujeres, el cabello humano es protagonista, puesto que se convert\u00eda en un medio que lograba conservar la memoria tangible. El Museo Casa Cauti\u00f1o, en Guayama (Puerto Rico), custodia dos obras de este g\u00e9nero art\u00edstico, realizadas con los cabellos de Juana Monserrate V\u00e1zquez, de las que aqu\u00ed se desarrolla un an\u00e1lisis formal e iconogr\u00e1fico, en el marco de su contexto familiar e hist\u00f3rico.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Abstract<\/b>: In the nineteenth century, various war conflicts and epidemics increased mortality significantly in the Western world, greatly influencing the work of artists and artisans at the time, who sought to keep alive the memories of loved ones. In some of these artworks, mainly made by women, human hair functions as a principal medium aimed at preserving tangible memory. The Casa Cauti\u00f1o Museum in Guayama (Puerto Rico) has two works of this genre, made from Juana Monserrate V\u00e1zquez\u2019s hair. Here they are both subjected to a formal and iconographic analysis, in a family-oriented and historical context.<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Palabras clave<\/b>: Guayama, Museo Casa Cauti\u00f1o, arte capilar, labores en cabello, cuadros de cabello, cuadros de pelo, cuadros de luto, cabello femenino, Ferias de Exposici\u00f3n P\u00fablica de Puerto Rico, artistas puertorrique\u00f1as<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Keywords<\/b>: Guayama, Museo Casa Cauti\u00f1o, hair art, framed hairworks, mourning hair art, women\u2019s hair, Puerto Rican Public Exhibition Fairs, Puerto Rican women artists<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Secci\u00f3n<\/b>: Art\u00edculos \/ <b>Section<\/b>: Articles<span class=\"Apple-converted-space\">\u00a0<\/span><\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Recibido \/ Received<\/b>: 7 de septiembre de 2020 <b>Aceptado \/ Accepted<\/b>: : 3 de marzo de 2021<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><b>Cita recomendada: <\/b>Col\u00f3n Hern\u00e1ndez, Hilian M. \u201cEl recuerdo en materia: Los cuadros de cabello femenino de la Casa Cauti\u00f1o en Guayama\u201d, <i>Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 14 de junio de 2021, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resumen: Diferentes conflictos b\u00e9licos y epidemias incrementaron notablemente la mortalidad en el siglo XIX a trav\u00e9s de occidente, algo que tuvo gran influencia en determinadas expresiones art\u00edsticas y artesanales del periodo, cuyo inter\u00e9s era guardar el recuerdo de las personas allegadas. En algunas de ellas, principalmente realizadas por mujeres, el cabello humano es protagonista, puesto que se convert\u00eda en un medio que lograba conservar la memoria tangible. El Museo Casa Cauti\u00f1o, en Guayama (Puerto Rico), custodia dos obras de este g\u00e9nero art\u00edstico, realizadas con los cabellos de Juana Monserrate V\u00e1zquez, de las que aqu\u00ed se desarrolla un an\u00e1lisis formal e iconogr\u00e1fico, en el marco de su contexto familiar e hist\u00f3rico.<\/p>\n<p>Abstract: In the nineteenth century, various war conflicts and epidemics increased mortality significantly in the Western world, greatly influencing the work of artists and artisans at the time, who sought to keep alive the memories of loved ones. In some of these artworks, mainly made by women, human hair functions as a principal medium aimed at preserving tangible memory. The Casa Cauti\u00f1o Museum in Guayama (Puerto Rico) has two works of this genre, made from Juana Monserrate V\u00e1zquez\u2019s hair. Here they are both subjected to a formal and iconographic analysis, in a family-oriented and historical context.<\/p>\n","protected":false},"author":140,"featured_media":5611,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[1824,1831,1829,1826,1828,1827,1830,1833,1822,1832,1825,1834,1823,1836,1837,1835],"class_list":["post-5579","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-arte-capilar","tag-artistas-puertorriquenas","tag-cabello-femenino","tag-cuadros-de-cabello","tag-cuadros-de-luto","tag-cuadros-de-pelo","tag-ferias-de-exposicion-publica-de-puerto-rico","tag-framed-hairworks","tag-guayama","tag-hair-art","tag-labores-en-cabello","tag-mourning-hair-art","tag-museo-casa-cautino","tag-puerto-rican-public-exhibition-fairs","tag-puerto-rican-women-artists","tag-womens-hair"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5579","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/140"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=5579"}],"version-history":[{"count":5,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5579\/revisions"}],"predecessor-version":[{"id":6303,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5579\/revisions\/6303"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/5611"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=5579"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=5579"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=5579"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}