Mural en cer\u00e1mica reproduciendo la obra Guernica <\/i>de Pablo Picasso.<\/p>\n
Texto completo \/ Full text<\/span><\/strong> T\u00edtulo<\/b>: Palabras en juego: Picasso, la imagen y el texto en la antesala del Guernica<\/span> \nAutor \/ Author<\/b>: Rafael Jackson<\/span> Resumen<\/b>: Tradicionalmente, se estudia la fren\u00e9tica actividad de Picasso pintando el Guernica <\/i>(1937) a partir de sus numerosos bocetos y obras visuales, dejando de lado la abultada producci\u00f3n literaria que llevaba desarrollando desde 1935. \u00c9sta \u00faltima es un adecuado complemento que explica varios de los desdoblamientos surreales de su obra pl\u00e1stica, ayud\u00e1ndonos as\u00ed a profundizar en la g\u00e9nesis de una de las obras m\u00e1s relevantes del siglo XX.<\/span><\/p>\n Abstract<\/b>: Traditionally, the frenetic activity of Picasso while painting Guernica <\/i>(1937) is studied from his numerous sketches and visual works, leaving aside the bulky literary production that he had been developing since 1935. The latter is an appropriate complement that explains several of the surrealist unfoldings of his plastic work, thus helping us to delve into the genesis of one of the most relevant works of the 20th century.<\/span><\/p>\n Palabras clave<\/b>: Dora Maar, Paul \u00c9luard, escritura autom\u00e1tica, Fascismo, Guernica, Picasso, Surrealismo, Tauromaquia, Rafael Jackson<\/span><\/p>\n Keywords<\/b>: Dora Maar, Paul \u00c9luard, automatic writing, Fascism, Guernica, Picasso, Surrealism, Bullfighting, Rafael Jackson<\/span><\/p>\n Secci\u00f3n<\/b>: Obras \/ Section<\/b>: Artworks\u00a0<\/span><\/span><\/p>\n Publicaci\u00f3n: <\/b>15 de diciembre de 2017<\/span><\/p>\n Cita recomendada: <\/b>Jackson, Rafael. \u201cPalabras en juego: Picasso, la imagen y el texto en la antesala del Guernica\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de diciembre de 2017, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Resumen: Tradicionalmente, se estudia la fren\u00e9tica actividad de Picasso pintando el Guernica (1937) a partir de sus numerosos bocetos y obras visuales, dejando de lado la abultada producci\u00f3n literaria que llevaba desarrollando desde 1935. \u00c9sta \u00faltima es un adecuado complemento que explica varios de los desdoblamientos surreales de su obra pl\u00e1stica, ayud\u00e1ndonos as\u00ed a profundizar en la g\u00e9nesis de una de las obras m\u00e1s relevantes del siglo XX.<\/p>\n Abstract: Traditionally, the frenetic activity of Picasso while painting Guernica (1937) is studied from his numerous sketches and visual works, leaving aside the bulky literary production that he had been developing since 1935. The latter is an appropriate complement that explains several of the surrealist unfoldings of his plastic work, thus helping us to delve into the genesis of one of the most relevant works of the 20th century.<\/p>\n","protected":false},"author":102,"featured_media":5537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[1754,1756,1748,1750,1755,1751,1735,1749,1752,883,960,959,1753],"class_list":["post-5536","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obras","tag-automatic-writing","tag-bullfighting","tag-dora-maar","tag-escritura-automatica","tag-fascism","tag-fascismo","tag-guernica","tag-paul-eluard","tag-picasso","tag-rafael-jackson","tag-surrealism","tag-surrealismo","tag-tauromaquia"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/102"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=5536"}],"version-history":[{"count":1,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5536\/revisions"}],"predecessor-version":[{"id":5538,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5536\/revisions\/5538"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/5537"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=5536"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=5536"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=5536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\n
\nTitle<\/b>: Words at Stake: Picasso, the Image and the Text on the Verge of Guernica<\/span><\/p>\n
\nUniversidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n