Guernica expuesto en el Cas\u00f3n del Buen Retiro de Madrid, 1981.<\/p>\n
[spacer height=”20px”]\n
Texto completo \/ Full text<\/span><\/strong> Resumen<\/b>: El Guernica<\/i>, pintado por Pablo Picasso para el Pabell\u00f3n de la Rep\u00fablica Espa\u00f1ola de 1937, constituye uno de los emblemas m\u00e1s significativos del arte del siglo XX, adem\u00e1s de erigirse en todo un s\u00edmbolo contra la brutalidad y la barbarie producidas por la guerra. Sin embargo, en ocasiones este car\u00e1cter ic\u00f3nico ha dejado a un lado algunos episodios relacionados con la obra, especialmente aquellos vinculados a su traslado desde Estados Unidos a Espa\u00f1a, destacando las claras connotaciones pol\u00edticas que esta operaci\u00f3n estatal tuvo a nivel nacional e internacional.<\/span><\/p>\n Abstract<\/b>: Guernica<\/i>, painted by Pablo Picasso for the Pavilion of the Spanish Republic in 1937, constitutes one of the most significant emblems of 20th century art, in addition to becoming a symbol against the brutality and barbarism produced by war. However, sometimes this iconic nature has put aside some episodes related to the artwork, especially those linked to its relocation from the United States to Spain, highlighting the clear political connotations that this state operation had at a national and international level.<\/span><\/p>\nPalabras clave<\/b>: Pablo Picasso, Guernica, Francisco Franco, Guerra Civil Espa\u00f1ola, Museo Nacional Centro de Arte Reina Sof\u00eda<\/span> <\/p>\n","protected":false},"excerpt":{"rendered":" Resumen: El Guernica, pintado por Pablo Picasso para el Pabell\u00f3n de la Rep\u00fablica Espa\u00f1ola de 1937, constituye uno de los emblemas m\u00e1s significativos del arte del siglo XX, adem\u00e1s de erigirse en todo un s\u00edmbolo contra la brutalidad y la barbarie producidas por la guerra. Sin embargo, en ocasiones este car\u00e1cter ic\u00f3nico ha dejado a un lado algunos episodios relacionados con la obra, especialmente aquellos vinculados a su traslado desde Estados Unidos a Espa\u00f1a, destacando las claras connotaciones pol\u00edticas que esta operaci\u00f3n estatal tuvo a nivel nacional e internacional.<\/p>\n Abstract: Guernica, painted by Pablo Picasso for the Pavilion of the Spanish Republic in 1937, constitutes one of the most significant emblems of 20th century art, in addition to becoming a symbol against the brutality and barbarism produced by war. However, sometimes this iconic nature has put aside some episodes related to the artwork, especially those linked to its relocation from the United States to Spain, highlighting the clear political connotations that this state operation had at a national and international level.<\/p>\n","protected":false},"author":153,"featured_media":5527,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[1736,1735,1737,1738,1734,1739],"class_list":["post-5526","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obras","tag-francisco-franco","tag-guernica","tag-guerra-civil-espanola","tag-museo-nacional-centro-de-arte-reina-sofia","tag-pablo-picasso","tag-spanish-civil-war"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/153"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=5526"}],"version-history":[{"count":15,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5526\/revisions"}],"predecessor-version":[{"id":7063,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5526\/revisions\/7063"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/5527"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=5526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=5526"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=5526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\nT\u00edtulo<\/b>: El Guernica en las ruinas del museo<\/span>
\nTitle<\/b>: Guernica in the Ruins of the Museum<\/span>
\n\nAutor \/ Author<\/b>: Jes\u00fas Carrillo\u00a0<\/span><\/span>
\nUniversidad Aut\u00f3noma de Madrid<\/span>
\n
\n\nKeywords<\/b>: Pablo Picasso, Guernica, Francisco Franco, Spanish Civil War, Museo Nacional Centro de Arte Reina Sof\u00eda<\/span>
\n\nSecci\u00f3n<\/b>: Obras \/ Section<\/b>: Artworks\u00a0<\/span><\/span>
\n\nPublicaci\u00f3n: <\/b>15 de diciembre de 2017<\/span>
\n\nCita recomendada: <\/b>Carrillo, Jes\u00fas. \u201cEl Guernica en las ruinas del museo\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de diciembre de 2017, humanidades.uprrp.edu\/visiondoble<\/span>\n\n\n\n