Jaime Su\u00e1rez y uno de sus ayudantes trabajando en el remate del T\u00f3tem Tel\u00farico, 1992.
\nArchivo Jaime Su\u00e1rez.<\/p>\n
[spacer height=”20px”]<\/span><\/p>\n Texto completo \/ Full text<\/strong><\/span> T\u00edtulo<\/b>: T\u00f3tem Tel\u00farico, veinticinco a\u00f1os despu\u00e9s: una entrevista a Jaime Su\u00e1rez<\/span><\/p>\n Title<\/b>: Telluric Totem, Twenty-five Years Later: An Interview with Jaime Su\u00e1rez<\/span><\/p>\n Autor \/ Author<\/b>: Daniel Exp\u00f3sito<\/span><\/p>\n Universidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n Resumen<\/b>: Hace veinticinco a\u00f1os que se cre\u00f3 el T\u00f3tem tel\u00farico<\/i>, una de las obras m\u00e1s emblem\u00e1ticas del arte puertorrique\u00f1o del siglo XX. Con motivo de su aniversario, su autor, Jaime Su\u00e1rez, habla sobre las opiniones y mitos surgidos en torno a tan significativa pieza, adem\u00e1s de comentar sobre su ejecuci\u00f3n e inauguraci\u00f3n, as\u00ed como las problem\u00e1ticas que giran acerca de su futura conservaci\u00f3n.<\/span><\/p>\n Abstract<\/b>: T\u00f3tem tel\u00farico<\/i> [Telluric Totem<\/i>], one of the most emblematic works of Puerto Rican art of the 20th century, was created twenty-five years ago. On the occasion of this anniversary, the artist, Jaime Su\u00e1rez, talks about the opinions and myths that have arisen around such a significant artpiece. He also makes comments on the opening ceremony for the artwork, and the problems around its future conservation.<\/span><\/p>\n Palabras clave<\/b>: Barro, Cer\u00e1mica, Jaime Su\u00e1rez, Plaza del V Centenario, Totem Tel\u00farico, San Juan, Puerto Rico, Daniel Exp\u00f3sito<\/span><\/p>\n Keywords<\/b>: Clay, Ceramics, Jaime Su\u00e1rez, Plaza del V Centenario, Telluric Totem, San Juan, Puerto Rico, Daniel Exp\u00f3sito<\/span><\/p>\n Secci\u00f3n<\/b>: Entrevistas \/ Section<\/b>: Interviews\u00a0<\/span><\/span><\/p>\n Publicaci\u00f3n: <\/b>15 de abril de 2017<\/span><\/p>\n Cita recomendada:<\/b> Exp\u00f3sito, Daniel. \u201cT\u00f3tem Tel\u00farico, veinticinco a\u00f1os despu\u00e9s: una entrevista a Jaime Su\u00e1rez\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de abril de 2017, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Resumen: Hace veinticinco a\u00f1os que se cre\u00f3 el T\u00f3tem tel\u00farico, una de las obras m\u00e1s emblem\u00e1ticas del arte puertorrique\u00f1o del siglo XX. Con motivo de su aniversario, su autor, Jaime Su\u00e1rez, habla sobre las opiniones y mitos surgidos en torno a tan significativa pieza, adem\u00e1s de comentar sobre su ejecuci\u00f3n e inauguraci\u00f3n, as\u00ed como las problem\u00e1ticas que giran acerca de su futura conservaci\u00f3n. <\/p>\n Abstract: T\u00f3tem tel\u00farico [Telluric Totem], one of the most emblematic works of Puerto Rican art of the 20th century, was created twenty-five years ago. On the occasion of this anniversary, the artist, Jaime Su\u00e1rez, talks about the opinions and myths that have arisen around such a significant artpiece. He also makes comments on the opening ceremony for the artwork, and the problems around its future conservation.<\/p>\n","protected":false},"author":42,"featured_media":5519,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-5461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevistas"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/42"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=5461"}],"version-history":[{"count":6,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5461\/revisions"}],"predecessor-version":[{"id":5521,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5461\/revisions\/5521"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/5519"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=5461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=5461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=5461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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