{"id":5399,"date":"2017-02-15T10:42:50","date_gmt":"2017-02-15T14:42:50","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5399"},"modified":"2021-11-23T01:31:37","modified_gmt":"2021-11-23T05:31:37","slug":"contemporaneos-un-mano-a-mano","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/contemporaneos-un-mano-a-mano\/","title":{"rendered":"Contempor\u00e1neos: un mano a mano"},"content":{"rendered":"

Arnaldo Roche, Exhibici\u00f3n: Contempor\u00e1neos<\/i>, 2017.<\/span><\/p>\n

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Texto completo \/ Full text<\/span><\/strong><\/span>
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T\u00edtulo<\/b>: Contempor\u00e1neos: un mano a mano<\/span><\/p>\n

Title<\/b>: Contempor\u00e1neos [Contemporaries]: Hand in Hand<\/span><\/p>\n

Autor \/ Author<\/b>: Lilliana Ramos Collado<\/span><\/p>\n

Universidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen<\/b>: Contempor\u00e1neos<\/i> re\u00fane obras de Lope Max D\u00edaz y de Arnaldo Roche Rabell en el Museo de Arte de Bayam\u00f3n, en un encuentro mano a mano entre maestro y disc\u00edpulo. Sobresalen los g\u00e9neros del jard\u00edn y del bodeg\u00f3n floral en una profunda reflexi\u00f3n art\u00edstica acerca de la representaci\u00f3n, entre el \u00f3leo y collage en Roche Rabell y la construcci\u00f3n de pared de Lope Max D\u00edaz.<\/span><\/p>\n

Abstract<\/b>: Contempor\u00e1neos<\/i> [Contemporaries<\/i>] brings together artworks by Lope Max D\u00edaz and Arnaldo Roche Rabell at the Museo de Arte de Bayam\u00f3n, in a hand in hand encounter between master and pupil. The garden and the floral still life are genres that stand out in the show, giving cause to a deep reflection on art about representation, oil and collage in Roche Rabell\u00b4s work and the wall construction by Lope Max D\u00edaz.<\/span><\/p>\n

Palabras clave<\/b>: Arnaldo Roche Rabell, Bodeg\u00f3n, Jard\u00edn, Lope Max D\u00edaz, Museo de Arte de Bayam\u00f3n, Lilliana Ramos Collado<\/span><\/p>\n

Keywords<\/b>: Arnaldo Roche Rabell, Still Life, Garden, Lope Maz D\u00edaz, Museo de Arte de Bayam\u00f3n, Lilliana Ramos Collado<\/span><\/p>\n

Secci\u00f3n<\/b>: Exhibiciones \/ Section<\/b>: Exhibitions\u00a0<\/span><\/span><\/p>\n

Publicaci\u00f3n: <\/b>15 de febrero de 2017<\/span><\/p>\n

Cita recomendada:<\/b> Ramos Collado, Lilliana. \u201cContempor\u00e1neos: un mano a mano\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de febrero de 2017, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: Contempor\u00e1neos re\u00fane obras de Lope Max D\u00edaz y de Arnaldo Roche Rabell en el Museo de Arte de Bayam\u00f3n, en un encuentro mano a mano entre maestro y disc\u00edpulo. Sobresalen los g\u00e9neros del jard\u00edn y del bodeg\u00f3n floral en una profunda reflexi\u00f3n art\u00edstica acerca de la representaci\u00f3n, entre el \u00f3leo y collage en Roche Rabell y la construcci\u00f3n de pared de Lope Max D\u00edaz. <\/p>\n

Abstract: Contempor\u00e1neos [Contemporaries] brings together artworks by Lope Max D\u00edaz and Arnaldo Roche Rabell at the Museo de Arte de Bayam\u00f3n, in a hand in hand encounter between master and pupil. The garden and the floral still life are genres that stand out in the show, giving cause to a deep reflection on art about representation, oil and collage in Roche Rabell\u00b4s work and the wall construction by Lope Max D\u00edaz.<\/p>\n","protected":false},"author":79,"featured_media":5403,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-5399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5399","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=5399"}],"version-history":[{"count":3,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5399\/revisions"}],"predecessor-version":[{"id":5401,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5399\/revisions\/5401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/5403"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=5399"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=5399"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=5399"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}