{"id":5075,"date":"2015-10-15T01:26:59","date_gmt":"2015-10-15T05:26:59","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5075"},"modified":"2021-11-23T10:44:16","modified_gmt":"2021-11-23T14:44:16","slug":"la-mascara-como-prisma-y-el-acecho-de-la-violencia-en-jotham-malave","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/la-mascara-como-prisma-y-el-acecho-de-la-violencia-en-jotham-malave\/","title":{"rendered":"La mascara como prisma y el acecho de la violencia en Jotham Malav\u00e9"},"content":{"rendered":"

Jotham Malav\u00e9, Exhibici\u00f3n: Paisaje al acecho<\/i>, 2015.\u00a0<\/span><\/p>\n[spacer height=”20px”]\n

Texto completo \/ Full text<\/span><\/strong>
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\n

T\u00edtulo<\/b>: La mascara como prisma y el acecho de la violencia en Jotham Malav\u00e9<\/span>
\nTitle<\/b>: The Mask as a Prism and Violence in Wait in Jotham Malav\u00e9\u2019s Work<\/span><\/p>\n

Autor \/ Author<\/b>: Alexandra Pag\u00e1n<\/span>
\nUniversidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen<\/b>: El poste como sujeto, el claroscuro como t\u00e9cnica revisitada y la m\u00e1scara como met\u00e1fora son los hilos con los que Jotham Malav\u00e9 elabora una visi\u00f3n de la soledad, la violencia y la individualidad en Paisajes del acecho<\/i>, su reciente muestra individual en El Cuadrado Gris.<\/span><\/p>\n

Abstract<\/b>: The pole as a subject, chiaroscuro as a revisited technique, and the mask as a metaphor are the threads that Jotham Malav\u00e9 uses to make a vision of solitude, violence and individuality is his recent solo exhibition, Paisajes del acecho <\/i>[Landscapes in Wait<\/i>] at El Cuadrado Gris.<\/span><\/p>\n

Palabras clave<\/b>: El Cuadrado Gris, Jotham Malav\u00e9, Pintura, Claroscuro, Paisaje, Alexandra Pag\u00e1n<\/span><\/p>\n

Keywords<\/b>: El Cuadrado Gris, Jotham Malav\u00e9, Painting, Chiaroscuro, Landscape, Alexandra Pag\u00e1n<\/span><\/p>\n

Secci\u00f3n<\/b>: Exhibiciones \/ Section<\/b>: Exhibitions\u00a0<\/span><\/span><\/p>\n

Publicaci\u00f3n: <\/b>15 de octubre de 2015<\/span><\/p>\n

Cita recomendada: <\/b>Pag\u00e1n, Alexandra. \u201cLa mascara como prisma y el acecho de la violencia en Jotham Malav\u00e9\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de octubre de 2015, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: El poste como sujeto, el claroscuro como t\u00e9cnica revisitada y la m\u00e1scara como met\u00e1fora son los hilos con los que Jotham Malav\u00e9 elabora una visi\u00f3n de la soledad, la violencia y la individualidad en Paisajes del acecho, su reciente muestra individual en El Cuadrado Gris.<\/p>\n

Abstract: The pole as a subject, chiaroscuro as a revisited technique, and the mask as a metaphor are the threads that Jotham Malav\u00e9 uses to make a vision of solitude, violence and individuality is his recent solo exhibition, Paisajes del acecho [Landscapes in Wait] at El Cuadrado Gris.<\/p>\n","protected":false},"author":17,"featured_media":5076,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1358,1512,1511,60,1510,352,77,351,25],"class_list":["post-5075","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-alexandra-pagan","tag-chiaroscuro","tag-claroscuro","tag-el-cuadrado-gris","tag-jotham-malave","tag-landscape","tag-painting","tag-paisaje","tag-pintura"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5075","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=5075"}],"version-history":[{"count":1,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5075\/revisions"}],"predecessor-version":[{"id":5077,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/5075\/revisions\/5077"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/5076"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=5075"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=5075"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=5075"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}