Photograph of Suzi Ferrer opening night of her solo exhibition at La Casa del Arte, 1966. Digitalization El Mundo<\/i>.<\/p>\n
Texto completo \/ Full text<\/span><\/strong> T\u00edtulo<\/b>: Reencuentro: Evaluaciones de los diez a\u00f1os de producci\u00f3n art\u00edstica de Suzi Ferrer en Puerto Rico<\/span> Autor \/ Author<\/b>: Melissa M. Ramos Borges<\/span> Resumen<\/b>: Este ensayo traza la carrera de Suzi Ferrer, comenzando con la que es su obra m\u00e1s temprana conocida y culminando con un breve estudio de la que la artista consideraba su obra m\u00e1s madura: una serie de instalaciones que produjo en la primera mitad de la d\u00e9cada de 1970. Este cuerpo de trabajo se analiza a trav\u00e9s del lente de arte pop proto-feminista, donde se puntualiza la sexualidad y el placer femenino. Ferrer, de manera similar a otras artistas Pop de su generaci\u00f3n e imbuida en el movimiento de liberaci\u00f3n sexual y el feminismo de la segunda ola, cre\u00f3 obras que subvirtieron el statu quo pol\u00edtico y social.<\/span><\/p>\n Abstract<\/b>: This essay maps Suzi Ferrer\u2019s career, beginning with her earliest known work and culminating with a brief study of a work that the artist considered her most mature: complex, immersive art installations she produced in the first half of the 1970s. This body of work is discussed through a proto-feminist Pop art lens, where female sexuality and pleasure are at the forefront. As with other female Pop artists of her generation, Ferrer created works that subverted the political and social status quo, which were influenced by the sexual liberation movement and the second-wave feminism.<\/span><\/p>\n Palabras clave<\/b>: Suzi Ferrer, feminismo, arte pop, instalaci\u00f3n, Puerto Rico, Melissa M. Ramos Borges<\/span><\/p>\n Keywords<\/b>: Suzi Ferrer, feminism, Pop art, installation, Puerto Rico, Melissa M. Ramos Borges<\/span><\/p>\n Secci\u00f3n<\/b>: Art\u00edculos \/ Section<\/b>: Articles<\/span><\/p>\n Recibido \/ Received: <\/b>2 de febrero de 2021 Aceptado \/ Accepted: <\/b>28 de febrero de 2021<\/span><\/p>\n Cita recomendada: <\/b>Ramos Borges, Melissa M. \u201cLost and Found: Assessments of Suzi Ferrer\u2019s Decade-Long Career in Puerto Rico \u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 14 de junio de 2021, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Resumen: Este ensayo traza la carrera de Suzi Ferrer, comenzando con la que es su obra m\u00e1s temprana conocida y culminando con un breve estudio de la que la artista consideraba su obra m\u00e1s madura: una serie de instalaciones que produjo en la primera mitad de la d\u00e9cada de 1970. Este cuerpo de trabajo se analiza a trav\u00e9s del lente de arte pop proto-feminista, donde se puntualiza la sexualidad y el placer femenino. Ferrer, de manera similar a otras artistas Pop de su generaci\u00f3n e imbuida en el movimiento de liberaci\u00f3n sexual y el feminismo de la segunda ola, cre\u00f3 obras que subvirtieron el statu quo pol\u00edtico y social.<\/p>\n Abstract: This essay maps Suzi Ferrer\u2019s career, beginning with her earliest known work and culminating with a brief study of a work that the artist considered her most mature: complex, immersive art installations she produced in the first half of the 1970s. This body of work is discussed through a proto-feminist Pop art lens, where female sexuality and pleasure are at the forefront. As with other female Pop artists of her generation, Ferrer created works that subverted the political and social status quo, which were influenced by the sexual liberation movement and the second-wave feminism.<\/p>\n","protected":false},"author":93,"featured_media":4858,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[1390,1315,1313,150,433,1391,1392,295,1389],"class_list":["post-4857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-arte-pop","tag-feminism","tag-feminismo","tag-instalacion","tag-installation","tag-melissa-m-ramos-borges","tag-pop-art","tag-puerto-rico","tag-suzi-ferrer"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/93"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=4857"}],"version-history":[{"count":3,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4857\/revisions"}],"predecessor-version":[{"id":5569,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4857\/revisions\/5569"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/4858"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=4857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=4857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=4857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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\nTitle<\/b>: Lost and Found: Assessments of Suzi Ferrer\u2019s Decade-Long Career in Puerto Rico<\/span><\/p>\n
\nUniversidad de Puerto Rico, Recintos de R\u00edo Piedras y Mayag\u00fcez<\/span><\/p>\n