Nitzayra Leonor, Homenaje a las trenzadoras<\/i>, 2018.<\/p>\n[spacer height=”20px”]\n
Texto completo \/ Full text<\/span><\/strong> T\u00edtulo<\/b>: El rizo y la trenza: el pelo de las mujeres negras en el arte puertorrique\u00f1o y su conexi\u00f3n con el Caribe<\/span> Autor \/ Author<\/b>: Emilia Qui\u00f1ones Otal<\/span> Resumen<\/b>: A trav\u00e9s de im\u00e1genes asociadas al pelo de las mujeres afrocaribe\u00f1as, las artistas puertorrique\u00f1as Nitzayra Leonor, Zuania Minier y Yolanda Vel\u00e1zquez articulan un discurso de resistencia contra el control de los cuerpos de las personas negras, y en especial de las mujeres, por parte de los hombres blancos. Su propuesta art\u00edstica rescata su historia y la historia de las mujeres afrodescendientes en el Caribe y Am\u00e9rica y establece lazos entre todas ellas y con sus ancestras en el continente africano. La obra se analiza en el contexto de la historia reciente del arte caribe\u00f1o, y se establece un di\u00e1logo entre piezas que usan tambi\u00e9n la cabellera como punto de partida para la cr\u00edtica racial y de g\u00e9nero, en el resto del Caribe.\u00a0<\/span><\/span><\/p>\n Abstract<\/b>: Through images associated with Afro-Caribbean women\u2019s hair, Puerto Rican artists Nitzayra Leonor, Zuania Minier, and Yolanda Vel\u00e1zquez articulate a discourse of resistance against the control of Black bodies, especially Black women\u2019s bodies, by white men. The works of these artists seek to liberate their own histories and the histories of African diasporic women in the Caribbean and the Americas and establish ties between them and their ancestors on the African continent. The artwork is examined within the context of recent Caribbean art history and a dialogue is established between works that also use hair as a starting point for racial and gender critical analysis around the Caribbean.<\/span><\/p>\n Palabras clave<\/b>: Arte contempor\u00e1neo, arte caribe\u00f1o, g\u00e9nero, raza, pelo afro, afrodescendencia en el Caribe, Emilia Qui\u00f1ones Otal<\/span><\/p>\n Keywords<\/b>: Contemporary art, Caribbean art, gender, race, afro hair, Caribbean African diaspora, Emilia Qui\u00f1ones Otal<\/span><\/p>\n Secci\u00f3n<\/b>: Art\u00edculos \/ Section<\/b>: Articles<\/span><\/p>\n Recibido \/ Received: <\/b>27 de agosto de 2020 Aceptado \/ Accepted: <\/b>30 de diciembre de 2020<\/span><\/p>\n Cita recomendada: <\/b>Qui\u00f1ones Otal, Emilia. \u201cEl rizo y la trenza: el pelo de las mujeres negras en el arte puertorrique\u00f1o y su conexi\u00f3n con el Caribe\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 14 de junio de 2021, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Resumen: A trav\u00e9s de im\u00e1genes asociadas al pelo de las mujeres afrocaribe\u00f1as, las artistas puertorrique\u00f1as Nitzayra Leonor, Zuania Minier y Yolanda Vel\u00e1zquez articulan un discurso de resistencia contra el control de los cuerpos de las personas negras, y en especial de las mujeres, por parte de los hombres blancos. Su propuesta art\u00edstica rescata su historia y la historia de las mujeres afrodescendientes en el Caribe y Am\u00e9rica y establece lazos entre todas ellas y con sus ancestras en el continente africano. La obra se analiza en el contexto de la historia reciente del arte caribe\u00f1o, y se establece un di\u00e1logo entre piezas que usan tambi\u00e9n la cabellera como punto de partida para la cr\u00edtica racial y de g\u00e9nero, en el resto del Caribe.\u00a0<\/p>\n Abstract: Through images associated with Afro-Caribbean women\u2019s hair, Puerto Rican artists Nitzayra Leonor, Zuania Minier, and Yolanda Vel\u00e1zquez articulate a discourse of resistance against the control of Black bodies, especially Black women\u2019s bodies, by white men. The works of these artists seek to liberate their own histories and the histories of African diasporic women in the Caribbean and the Americas and establish ties between them and their ancestors on the African continent. The artwork is examined within the context of recent Caribbean art history and a dialogue is established between works that also use hair as a starting point for racial and gender critical analysis around the Caribbean.<\/p>\n","protected":false},"author":50,"featured_media":4855,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[1387,1384,1381,194,1388,1385,255,1076,269,268,1383,1386,1382],"class_list":["post-4852","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-afro-hair","tag-afrodescendencia-en-el-caribe","tag-arte-caribeno","tag-arte-contemporaneo","tag-caribbean-african-diaspora","tag-caribbean-art","tag-contemporary-art","tag-emilia-quinones-otal","tag-gender","tag-genero","tag-pelo-afro","tag-race","tag-raza"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4852","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/50"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=4852"}],"version-history":[{"count":6,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4852\/revisions"}],"predecessor-version":[{"id":5614,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4852\/revisions\/5614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/4855"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=4852"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=4852"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=4852"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\n
\nTitle<\/b>: The Curl and the Braid: Black Women\u00b4s Hair in Puerto Rican Art and its Connection with the Caribbean<\/span><\/p>\n
\nUniversidad de Puerto Rico, Recinto de Mayag\u00fcez<\/span><\/p>\n