{"id":4198,"date":"2015-01-15T13:05:02","date_gmt":"2015-01-15T17:05:02","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4198"},"modified":"2021-11-23T12:14:39","modified_gmt":"2021-11-23T16:14:39","slug":"la-transformacion-de-la-grafica-retrospectiva-de-martin-garcia-rivera","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/la-transformacion-de-la-grafica-retrospectiva-de-martin-garcia-rivera\/","title":{"rendered":"La transformaci\u00f3n de la gr\u00e1fica: Retrospectiva de Mart\u00edn Garc\u00eda Rivera"},"content":{"rendered":"

Mart\u00edn Garc\u00eda Rivera, Intolerancia con danzantes<\/i> (detalle), 1995.<\/p>\n[spacer height=”20px”]\n

Texto completo \/ Full Text<\/span><\/strong>
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\n

T\u00edtulo:<\/b> La transformaci\u00f3n de la gr\u00e1fica: Retrospectiva de Mart\u00edn Garc\u00eda Rivera<\/span><\/p>\n

Title<\/b>: The Transformation of Printmaking: A Retrospective of Mart\u00edn Garc\u00eda Rivera<\/span><\/p>\n

Autor \/ Author:<\/b> Mercedes Trelles<\/span><\/p>\n

Universidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen:<\/b> La extensa carrera de Mart\u00edn Garc\u00eda Rivera es protagonista en la exhibici\u00f3n Cuerpo de motivos<\/i>, curada por Rub\u00e9n Moreira, la cual abarca medios como el dibujo, la pintura y el grabado, y en la que se destaca la maestr\u00eda del experimentado artista y su particular iconograf\u00eda.<\/span><\/p>\n

Abstract<\/b>:<\/i>. Mart\u00edn Garc\u00eda Rivera\u2019s extensive career is the protagonist in the exhibition Cuerpo de motivos [Body of Motifs]<\/i>, curated by Rub\u00e9n Moreira, which covers media such as drawing, painting and printmaking, highlighting the great skills of the experienced artist and his particular iconography.<\/span><\/p>\n

Palabras clave:<\/b> Antiguo Arsenal de la Marina Espa\u00f1ola, Dibujo, Grabado, Instituto de Cultura Puertorrique\u00f1a, Mart\u00edn Garc\u00eda Rivera, Pintura , Rub\u00e9n Moreira, Mercedes Trelles<\/span><\/p>\n

Keywords:<\/b> Antiguo Arsenal de la Marina Espa\u00f1ola, Drawing, Printmaking, The Institute of Puerto Rican Culture, Mart\u00edn Garc\u00eda Rivera, Painting, Rub\u00e9n Moreira,\u00a0 <\/span>Mercedes Trelles<\/span><\/p>\n

Secci\u00f3n:<\/b> Exhibiciones \/ Section<\/b>: Exhibitions<\/span><\/p>\n

Publicaci\u00f3n: <\/b>15 de enero de 2015<\/span><\/p>\n

Cita recomendada:<\/b> Trelles, Mercedes. \u201cLa transformaci\u00f3n de la gr\u00e1fica: Retrospectiva de Mart\u00edn Garc\u00eda Rivera\u201d,\u00a0Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de enero de 2015, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: La extensa carrera de Mart\u00edn Garc\u00eda Rivera es protagonista en la exhibici\u00f3n Cuerpo de motivos, curada por Rub\u00e9n Moreira, la cual abarca medios como el dibujo, la pintura y el grabado, y en la que se destaca la maestr\u00eda del experimentado artista y su particular iconograf\u00eda. <\/p>\n

Abstract:. Mart\u00edn Garc\u00eda Rivera\u2019s extensive career is the protagonist in the exhibition Cuerpo de motivos [Body of Motifs], curated by Rub\u00e9n Moreira, which covers media such as drawing, painting and printmaking, highlighting the great skills of the experienced artist and his particular iconography.<\/p>\n","protected":false},"author":94,"featured_media":4199,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1304,76,78,149,483,1305,638,77,25,641,1306,1307],"class_list":["post-4198","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-antiguo-arsenal-de-la-marina-espanola","tag-dibujo","tag-drawing","tag-grabado","tag-instituto-de-cultura-puertorriquena","tag-martin-garcia-rivera","tag-mercedes-trelles","tag-painting","tag-pintura","tag-printmaking","tag-ruben-moreira","tag-the-institute-of-puerto-rican-culture"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4198","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=4198"}],"version-history":[{"count":12,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4198\/revisions"}],"predecessor-version":[{"id":4631,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4198\/revisions\/4631"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/4199"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=4198"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=4198"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=4198"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}