{"id":4193,"date":"2015-01-15T12:29:03","date_gmt":"2015-01-15T16:29:03","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4193"},"modified":"2021-11-23T12:14:47","modified_gmt":"2021-11-23T16:14:47","slug":"elsa-maria-melendez-un-arsenal-de-perretas","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/elsa-maria-melendez-un-arsenal-de-perretas\/","title":{"rendered":"Elsa Mar\u00eda Mel\u00e9ndez: un arsenal de perretas"},"content":{"rendered":"

Elsa Mel\u00e9ndez, Lo que faltaba<\/em>, 2014.<\/span><\/p>\n[spacer height=”20px”]\n

Texto completo \/ Full Text<\/span><\/strong>
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\n

T\u00edtulo: <\/b>Elsa Mar\u00eda Mel\u00e9ndez: un arsenal de perretas<\/span><\/p>\n

Title<\/b>: Elsa Mar\u00eda Mel\u00e9ndez: An Arsenal of Tantrums<\/span><\/p>\n

Autor \/ Author: <\/b>Humberto Figueroa<\/span><\/p>\n

Universidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen: <\/b>Humberto Figueroa se\u00f1ala algunas claves en su interpretaci\u00f3n de Perreta al argumento<\/em>, la exhibici\u00f3n de los dieciocho a\u00f1os de producci\u00f3n de Elsa Mel\u00e9ndez. La artista responde a sus inquietudes y cuestionamientos con la libertad y la profundidad que la caracterizan.<\/span><\/p>\n

Abstract<\/b>:<\/strong> Humberto Figueroa points out some keys in his interpretation of Perreta al argumento<\/em>, the exhibition dedicated to Elsa Mel\u00e9ndez\u2019s eighteen years of production. The artist responds to her concerns and questions with the freedom and depth that characterize her.<\/span><\/p>\n

Palabras claves: <\/b>Antiguo Arsenal de la Marina Espa\u00f1ola, Costura, Elsa Mar\u00eda Mel\u00e9ndez, Grabado, Instalaci\u00f3n, Instituto de Cultura Puertorrique\u00f1a, Humberto Figueroa<\/span><\/p>\n

Keywords: <\/b>Antiguo Arsenal de la Marina Espa\u00f1ola, Sewing, Elsa Mar\u00eda Mel\u00e9ndez, Printmaking, Installation Art, Institute of Puerto Rican Culture, Humberto Figueroa<\/span><\/p>\n

Secci\u00f3n: <\/b>Entrevistas \/ Section<\/b>: Interviews<\/span><\/p>\n

Publicaci\u00f3n: <\/b>15 de enero de 2015<\/span><\/p>\n

Cita recomendada:\u00a0<\/b><\/span>Figueroa, Humberto. \u201cElsa Mar\u00eda Mel\u00e9ndez: un Arsenal de Perretas\u201d,\u00a0Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de enero de 2015, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Resumen: Humberto Figueroa se\u00f1ala algunas claves en su interpretaci\u00f3n de Perreta al argumento, la exhibici\u00f3n de los dieciocho a\u00f1os de producci\u00f3n de Elsa Mel\u00e9ndez. La artista responde a sus inquietudes y cuestionamientos con la libertad y la profundidad que la caracterizan.<\/p>\n

Abstract: Humberto Figueroa points out some keys in his interpretation of Perreta al argumento, the exhibition dedicated to Elsa Mel\u00e9ndez\u2019s eighteen years of production. The artist responds to her concerns and questions with the freedom and depth that characterize her.<\/p>\n","protected":false},"author":58,"featured_media":4195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[1304,248,144,149,772,150,357,486,483,641,812],"class_list":["post-4193","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevistas","tag-antiguo-arsenal-de-la-marina-espanola","tag-costura","tag-elsa-maria-melendez","tag-grabado","tag-humberto-figueroa","tag-instalacion","tag-installation-art","tag-institute-of-puerto-rican-culture","tag-instituto-de-cultura-puertorriquena","tag-printmaking","tag-sewing"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/58"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=4193"}],"version-history":[{"count":10,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4193\/revisions"}],"predecessor-version":[{"id":4630,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4193\/revisions\/4630"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/4195"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=4193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=4193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=4193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}