{"id":4142,"date":"2018-02-15T00:00:50","date_gmt":"2018-02-15T04:00:50","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4142"},"modified":"2021-11-23T01:22:57","modified_gmt":"2021-11-23T05:22:57","slug":"ivelisse-jimenez-transparency-transience-and-emergency","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/ivelisse-jimenez-transparency-transience-and-emergency\/","title":{"rendered":"Ivelisse Jim\u00e9nez: Transparency, Transience and Emergency"},"content":{"rendered":"

Texto completo \/ Full Text<\/span><\/strong>
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T\u00edtulo:<\/strong> Ivelisse Jim\u00e9nez: transparencia, transitoriedad y emergencia <\/span><\/p>\n

Title:<\/strong> Ivelisse Jim\u00e9nez: Transparency, Transience and Emergency<\/span><\/p>\n

Autor \/ Author:<\/strong> David Auerbach<\/span>
\nPrograma Graduado de Traducci\u00f3n, Facultad de Humanidades, Universidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen:<\/strong> Ivelisse Jim\u00e9nez, una artista puertorrique\u00f1a muy aclamada que ha estado a la vanguardia en las escenas art\u00edsticas de San Juan y Nueva York, regresa con nuevas obras y exposiciones tras la devastaci\u00f3n del hurac\u00e1n Mar\u00eda. Contin\u00faa la expansi\u00f3n de su compleja y sincopada visi\u00f3n de la estructura y la composici\u00f3n bas\u00e1ndose en los temas de transparencia, adaptabilidad y transitoriedad. [En versi\u00f3n biling\u00fce].<\/span><\/p>\n

Abstaract:<\/strong> Ivelisse Jim\u00e9nez, a widely acclaimed Puerto Rican artist who has been at the forefront of the art scenes in San Juan and New York, emerges from the devastation of Hurricane Maria with new works and exhibitions. Building on themes of transparency, resilience and transience, she continues to further expand her complex, syncopated approach to structure and composition. [Bilingual version].<\/span><\/p>\n

Palabras claves:<\/strong> Galer\u00eda de Arte de la Universidad del Sagrado Coraz\u00f3n, Ivelisse Jim\u00e9nez, Pintura, transparencia, transitoriedad <\/span><\/p>\n

Keywords:<\/strong> Art Gallery of Univeridad del Sagrado Coraz\u00f3n, Ivelisse Jim\u00e9nez, Painting, transparency, transience<\/span><\/p>\n

Secci\u00f3n:<\/strong> English \/ Section:<\/strong> English<\/span><\/p>\n

Publicaci\u00f3n:<\/strong> 15 de abril de 2018<\/span><\/p>\n

Cita recomendada:<\/span>\u00a0<\/span><\/strong>Auerbach, David. \u201cIvelisse Jim\u00e9nez: Transparencia, Transitoriedad y Emergencia.\u201d Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 15 de abril de 2018, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: Ivelisse Jim\u00e9nez, una artista puertorrique\u00f1a muy aclamada que ha estado a la vanguardia en las escenas art\u00edsticas de San Juan y Nueva York, regresa con nuevas obras y exposiciones tras la devastaci\u00f3n del hurac\u00e1n Mar\u00eda. Contin\u00faa la expansi\u00f3n de su compleja y sincopada visi\u00f3n de la estructura y la composici\u00f3n bas\u00e1ndose en los temas de transparencia, adaptabilidad y transitoriedad. [En versi\u00f3n biling\u00fce].<\/p>\n

Abstaract: Ivelisse Jim\u00e9nez, a widely acclaimed Puerto Rican artist who has been at the forefront of the art scenes in San Juan and New York, emerges from the devastation of Hurricane Maria with new works and exhibitions. Building on themes of transparency, resilience and transience, she continues to further expand her complex, syncopated approach to structure and composition. [Bilingual version].<\/p>\n","protected":false},"author":44,"featured_media":4140,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[1285,1013,564,77,25,1289,1288,1283,1286],"class_list":["post-4142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-front","tag-art-gallery-of-univeridad-del-sagrado-corazon","tag-galeria-de-arte-de-la-universidad-del-sagrado-corazon","tag-ivelisse-jimenez","tag-painting","tag-pintura","tag-transience","tag-transitoriedad","tag-transparencia","tag-transparency"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4142","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/44"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=4142"}],"version-history":[{"count":4,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4142\/revisions"}],"predecessor-version":[{"id":4661,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4142\/revisions\/4661"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/4140"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=4142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=4142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=4142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}