{"id":4130,"date":"2018-02-15T00:00:23","date_gmt":"2018-02-15T04:00:23","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4130"},"modified":"2021-11-23T01:23:22","modified_gmt":"2021-11-23T05:23:22","slug":"la-pintura-y-su-estrategia-de-contagio-influencias-de-la-cultura-digital-en-la-practica-pictorica-contemporanea","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/la-pintura-y-su-estrategia-de-contagio-influencias-de-la-cultura-digital-en-la-practica-pictorica-contemporanea\/","title":{"rendered":"La pintura y su estrategia de contagio: Influencias de la cultura digital en la pr\u00e1ctica pict\u00f3rica contempor\u00e1nea"},"content":{"rendered":"

Texto completo \/ Full Text<\/span><\/strong>
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T\u00edtulo:<\/strong> La pintura y su estrategia de contagio: Influencias de la cultura digital en la pr\u00e1ctica pict\u00f3rica contempor\u00e1nea <\/span><\/p>\n

Title:<\/strong> Painting and its Strategy for Contagion: Influences of Digital Culture on Contemporary Pictorial Practice<\/span><\/p>\n

Autor \/ Author:<\/strong> Santiago Lara Morcillo<\/span>
\nFacultad de Bellas Artes, Universidad Complutense de Marid<\/span><\/p>\n

Resumen:<\/strong> Desde la aparici\u00f3n de la cultura pop y el desarrollo de la televisi\u00f3n, algunos aspectos como la fragmentaci\u00f3n de la imagen y los procesos de mimesis fueron incorporados a la pr\u00e1ctica pict\u00f3rica. Desde entonces, la pintura se ha nutrido notablemente de las influencias cinematogr\u00e1ficas y las numerosas opciones que ofrece la imagen digital. Este contagio debe ser entendido como una influencia inequ\u00edvoca de esos nuevos medios de captaci\u00f3n y reproducci\u00f3n de la imagen. A manera de introducci\u00f3n sobre estos y otros conceptos estrechamente vinculados, se propone un recorrido por diversos modos de enfrentarse a lo pict\u00f3rico y su relaci\u00f3n con el universo digital.<\/span><\/p>\n

Abstract:<\/strong> Since the beginning of pop culture and the evolution of television, image fragmentation and mimesis processes were incorporated into the pictorial practice. Since then, painting has been strongly influenced by the cinematographic language and the varied possibilities that the digital image offers. This contagion must be understood as an unequivocal influence of these new means for capturing and reproducing the image. As an introduction to these and to other similar concepts, the author proposes a visit to new ways of understanding the pictorial image, and how it is related to the digital universe.<\/span><\/p>\n

Palabras clave:<\/strong> Chechu \u00c1lava, Chuck Close, cultura digital, Dan Attoe, Dana Shutz, Jos\u00e9 Luis Serzo, Julio Falag\u00e1n, Michael Borremans, Pintura, Ricky Allman, Santiago Lara Morcillo <\/span><\/p>\n

Keywords:<\/strong> Chechu \u00c1lava, Chuck Close, digital culture, Dan Attoe, Dana Shutz, Jos\u00e9 Luis Serzo, Julio Falag\u00e1n, Michael Borremans, Painting, Ricky Allman, Santiago Lara Morcillo<\/span><\/p>\n

Secci\u00f3n:<\/strong> Secci\u00f3n \/ Section:<\/strong> Artworks<\/span><\/p>\n

Publicaci\u00f3n:<\/strong> 15 de fabrero de 2018<\/span><\/p>\n

Cita recomendada:<\/span>\u00a0<\/span><\/strong>Lara Morcillo, Santiago. \u201cLa Pintura y su estrategia de contagio: Influencias de la cultura digital en la pr\u00e1ctica pict\u00f3rica contempor\u00e1nea.\u201d Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 15 de febrero de 2018,<\/span>
\nhumanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: Desde la aparici\u00f3n de la cultura pop y el desarrollo de la televisi\u00f3n, algunos aspectos como la fragmentaci\u00f3n de la imagen y los procesos de mimesis fueron incorporados a la pr\u00e1ctica pict\u00f3rica. Desde entonces, la pintura se ha nutrido notablemente de las influencias cinematogr\u00e1ficas y las numerosas opciones que ofrece la imagen digital. Este contagio debe ser entendido como una influencia inequ\u00edvoca de esos nuevos medios de captaci\u00f3n y reproducci\u00f3n de la imagen. A manera de introducci\u00f3n sobre estos y otros conceptos estrechamente vinculados, se propone un recorrido por diversos modos de enfrentarse a lo pict\u00f3rico y su relaci\u00f3n con el universo digital.<\/p>\n

Abstract: Since the beginning of pop culture and the evolution of television, image fragmentation and mimesis processes were incorporated into the pictorial practice. Since then, painting has been strongly influenced by the cinematographic language and the varied possibilities that the digital image offers. This contagion must be understood as an unequivocal influence of these new means for capturing and reproducing the image. As an introduction to these and to other similar concepts, the author proposes a visit to new ways of understanding the pictorial image, and how it is related to the digital universe.<\/p>\n","protected":false},"author":113,"featured_media":4131,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[1271,1272,1273,1274,1275,1281,1276,1277,1278,77,25,1279,1280],"class_list":["post-4130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obras","tag-chechu-alava","tag-chuck-close","tag-cultura-digital","tag-dan-attoe","tag-dana-shutz","tag-digital-culture","tag-jose-luis-serzo","tag-julio-falagan","tag-michael-borremans","tag-painting","tag-pintura","tag-ricky-allman","tag-santiago-lara-morcillo"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/113"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=4130"}],"version-history":[{"count":2,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4130\/revisions"}],"predecessor-version":[{"id":4657,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/4130\/revisions\/4657"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/4131"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=4130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=4130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=4130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}