{"id":3882,"date":"2014-01-15T00:00:57","date_gmt":"2014-01-15T04:00:57","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=3882"},"modified":"2021-11-23T12:23:08","modified_gmt":"2021-11-23T16:23:08","slug":"the-tibes-museum-a-close-encounter","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/the-tibes-museum-a-close-encounter\/","title":{"rendered":"The Tibes Museum: A Close Encounter"},"content":{"rendered":"<p style=\"text-align: right;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Texto completo \/ Full Text<\/span><\/strong><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong><a href=\"https:\/\/drive.google.com\/file\/d\/1gZmmi6jdYkpYBrzqYGehOvA189Z6hWr-\/view?usp=sharing\">PDF<\/a><\/strong> \/ <strong><a href=\"https:\/\/drive.google.com\/file\/d\/1GoV532kbBmynpD_H63zRFqp2FV88N7_m\/view?usp=sharing\">ePUB<\/a><\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>T\u00edtulo:<\/strong> The Tibes Museum: A Close Encounter <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Title:<\/strong> The Tibes Museum: A Close Encounter<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Autor \/ Author:<\/strong> Carlos Mart\u00ednez Palmer<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Investigador independiente<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Resumen:<\/strong> La exposici\u00f3n permanente del Museo Arqueol\u00f3gico de Tibes tuvo una profunda transformaci\u00f3n en 1989. De una muestra de car\u00e1cter objetual se pas\u00f3 a otra con un mayor \u00e9nfasis conceptual, cuyos principales objetivos consistieron en ofrecer tanto un contexto adecuado a las piezas expuestas como una necesaria conexi\u00f3n entre pasado y presente. Con ello, se persegu\u00eda la identificaci\u00f3n del puertorrique\u00f1o actual con sus antepasados ind\u00edgenas a trav\u00e9s de una serie de actividades y acciones cotidianas comunes, empleando diversos recursos museogr\u00e1ficos que ayudaran a sus visitantes a comprender el verdadero alcance de esos nexos. Casi tres d\u00e9cadas despu\u00e9s, su \u201cmetadiscurso\u201d de afirmaci\u00f3n nacional mantiene su vigencia.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Abstract:<\/strong> The permanent exhibition at the Tibes Archaeological Museum underwent a profound transformation in 1989. From an artifact-oriented display, it was given a far more conceptual emphasis, the main objectives of which were to provide an in-depth context for the exhibited objects and a necessary connection between past and present, thereby enabling contemporary Puerto Ricans to identify with their indigenous ancestors. This was further reinforced by focusing on the daily tasks of the indigenous peoples, using diverse museographic resources which can help visitors understand the true scope of our shared heritage. After nearly three decades, this \u201cmetadiscourse\u201d constructed around national identity affirmation still maintains its validity.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Palabras clave:<\/strong> Aborigenes, Arqueolog\u00eda, Indieras, Manglares, Museo Arqueol\u00f3gico de Tibes, Museograf\u00eda, Puerto Rico, ta\u00ednos, Carlos Mart\u00ednez Palmer<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Keywords:<\/strong> Aborigine, Archeology, Prehispanic Art , Taino ,Mangroves, Tibes Museum , Museography, Puerto Rico, Ceramic, Tainos, Carlos Mart\u00ednez Palmer<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Secci\u00f3n:<\/strong> English \/ <strong>Section:<\/strong> English<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Publicaci\u00f3n:<\/strong> 15 de enero de 2018<\/span><\/p>\n<p style=\"text-align: justify;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Cita recomendada:<\/span>\u00a0<\/strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Mart\u00ednez Palmer, Carlos. \u201cThe Tibes Museum: A Close Encounter.\u201d <em>Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 15 de enero de 2018, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resumen: La exposici\u00f3n permanente del Museo Arqueol\u00f3gico de Tibes tuvo una profunda transformaci\u00f3n en 1989. De una muestra de car\u00e1cter objetual se pas\u00f3 a otra con un mayor \u00e9nfasis conceptual, cuyos principales objetivos consistieron en ofrecer tanto un contexto adecuado a las piezas expuestas como una necesaria conexi\u00f3n entre pasado y presente. Con ello, se persegu\u00eda la identificaci\u00f3n del puertorrique\u00f1o actual con sus antepasados ind\u00edgenas a trav\u00e9s de una serie de actividades y acciones cotidianas comunes, empleando diversos recursos museogr\u00e1ficos que ayudaran a sus visitantes a comprender el verdadero alcance de esos nexos. Casi tres d\u00e9cadas despu\u00e9s, su \u201cmetadiscurso\u201d de afirmaci\u00f3n nacional mantiene su vigencia. <\/p>\n<p>Abstract: The permanent exhibition at the Tibes Archaeological Museum underwent a profound transformation in 1989. From an artifact-oriented display, it was given a far more conceptual emphasis, the main objectives of which were to provide an in-depth context for the exhibited objects and a necessary connection between past and present, thereby enabling contemporary Puerto Ricans to identify with their indigenous ancestors. This was further reinforced by focusing on the daily tasks of the indigenous peoples, using diverse museographic resources which can help visitors understand the true scope of our shared heritage. After nearly three decades, this \u201cmetadiscourse\u201d constructed around national identity affirmation still maintains its validity.<\/p>\n","protected":false},"author":35,"featured_media":3883,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[1202,1208,791,31,1207,998,1203,1204,1209,1205,1206,1211,793,295,790,579,1210],"class_list":["post-3882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-front","tag-aborigenes","tag-aborigine","tag-archeology","tag-arqueologia","tag-carlos-martinez-palmer","tag-ceramic","tag-indieras","tag-manglares","tag-mangroves","tag-museo-arqueologico-de-tibes","tag-museografia","tag-museography","tag-prehispanic-art","tag-puerto-rico","tag-taino","tag-tainos","tag-tibes-museum"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=3882"}],"version-history":[{"count":4,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3882\/revisions"}],"predecessor-version":[{"id":4573,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3882\/revisions\/4573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/3883"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=3882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=3882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=3882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}