{"id":3763,"date":"2014-05-15T00:00:33","date_gmt":"2014-05-15T04:00:33","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=3763"},"modified":"2021-11-23T12:16:34","modified_gmt":"2021-11-23T16:16:34","slug":"los-restos-que-peregrinan-la-ciudad","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/los-restos-que-peregrinan-la-ciudad\/","title":{"rendered":"Los restos que peregrinan la ciudad"},"content":{"rendered":"

Texto completo \/ Full Text<\/span><\/strong>
\nPDF<\/a><\/strong> \/ ePUB<\/a><\/strong><\/span><\/p>\n

T\u00edtulo:<\/strong> Los restos que peregrinan la ciudad<\/span><\/p>\n

Title:<\/strong> The Remains that Pilgrim the City<\/span><\/p>\n

Autor \/ Author:<\/strong> Mariana Garc\u00eda Ben\u00edtez<\/span>
\nAsociaci\u00f3n Internacional de Cr\u00edticos de Arte, Cap\u00edtulo de Puerto Rico<\/span><\/p>\n

Resumen:<\/strong> Peregrina<\/em>, de Raquel Torres Arzola, Interferencia \u00edntima<\/em>, de Rosa Irigoyen y Ceremonia<\/em>, de Nayda Collazo Llorens, son las tres obras presentes en la exhibici\u00f3n El arte de la instalaci\u00f3n: una prehistoria<\/em>, abierta en el Museo de la Casa Blanca, del Instituto de Cultura Puertorrique\u00f1a, y curada por Lilliana Ramos Collado.<\/span><\/p>\n

Abstract:<\/strong> Raquel Torres Arzola’s Peregrina<\/em> [Pilgrim<\/em>], Rosa Irigoyen’s Interferencia \u00edntima<\/em> [Intimate Interference<\/em>], and Nayda Collazo Llorens’ Ceremonia<\/em> [Ceremony<\/em>] were the three works presented at the exhibition El arte de la instalaci\u00f3n: una prehistoria<\/em> [The Art of Installation: A Prehistory<\/em>], opened at the Museum of Casa Blanca, Institute of Puerto Rican Culture, and curated by Liliana Ramos Collado.
\n<\/span><\/p>\n

Palabras clave:<\/strong> Instalaci\u00f3n, Instituto de Cultura Puertorrique\u00f1a, Museo de Casa Blanca, Raquel Torres Arzola, Mariana Garc\u00eda Ben\u00edtez, Nayda Collazo Llorens, Rosa Irigoyen, Lilliana Ramos Collado <\/span><\/p>\n

Keywords:<\/strong> Installation Art, Instituto de Cultura Puertorrique\u00f1a, Museo de Casa Blanca, Mariana Garc\u00eda Ben\u00edtez, Raquel Torres Arzola, Nayda Collazo Llorens, Rosa Irigoyen, Lilliana Ramos Collado<\/span><\/p>\n

Secci\u00f3n:<\/strong> Exhibiciones \/ Section:<\/strong> Exhibitions<\/span><\/p>\n

Publicaci\u00f3n:<\/strong> 15 de mayo de 2014.<\/span><\/p>\n

Cita recomendada:<\/span>\u00a0<\/span><\/strong>Garc\u00eda Ben\u00edtez, Mariana. \u201cLos restos que peregrinan la ciudad\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 15 de mayo de 2014, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: Peregrina, de Raquel Torres Arzola, Interferencia \u00edntima, de Rosa Irigoyen y Ceremonia, de Nayda Collazo Llorens, son las tres obras presentes en la exhibici\u00f3n El arte de la instalaci\u00f3n: una prehistoria, abierta en el Museo de la Casa Blanca, del Instituto de Cultura Puertorrique\u00f1a, y curada por Lilliana Ramos Collado. <\/p>\n

Abstract: Raquel Torres Arzola\u2019s Peregrina [Pilgrim], Rosa Irigoyen\u2019s Interferencia \u00edntima [Intimate Interference], and Nayda Collazo Llorens\u2019 Ceremonia [Ceremony] were the three works present at the exhibition El arte de la instalaci\u00f3n: una prehistoria [The Art of Installation: A Pre-history], openned at the Casa Blanca Museum, of the Institute of Puerto Rican Culture, and curated by Liliana Ramos Collado.<\/p>\n","protected":false},"author":89,"featured_media":3764,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[150,357,483,1184,1183,1182,510,712,509],"class_list":["post-3763","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-instalacion","tag-installation-art","tag-instituto-de-cultura-puertorriquena","tag-lilliana-ramos-collado","tag-mariana-garcia-benitez","tag-museo-de-casa-blanca","tag-nayda-collazo-llorens","tag-raquel-torres-arzola","tag-rosa-irigoyen"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3763","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/89"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=3763"}],"version-history":[{"count":7,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3763\/revisions"}],"predecessor-version":[{"id":4620,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3763\/revisions\/4620"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/3764"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=3763"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=3763"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=3763"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}