{"id":3634,"date":"2021-01-02T01:12:14","date_gmt":"2021-01-02T05:12:14","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=3634"},"modified":"2021-11-23T00:27:46","modified_gmt":"2021-11-23T04:27:46","slug":"elegia-al-rostro-final-la-fotografia-de-la-mascara-mortuoria-de-erich-sander-copy","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/elegia-al-rostro-final-la-fotografia-de-la-mascara-mortuoria-de-erich-sander-copy\/","title":{"rendered":"Desarrollo de un artista moderno: Narciso Dobal Guliani"},"content":{"rendered":"

Narciso Dobal, Sin t\u00edtulo [Mural Phi Delta Pi], 1948. Colecci\u00f3n Privada<\/span><\/em><\/p>\n

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\nTexto completo \/ Full text<\/span><\/strong>
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T\u00edtulo:<\/strong>\u00a0Desarrollo de un artista moderno: Narciso Dobal Guliani<\/span>
\nTitle: <\/strong>Development of a Modern Artist: Narciso Dobal Guliani<\/span><\/p>\n

Autor \/\u00a0<\/span><\/strong>Author:<\/strong> Carlos Ortiz Burgos<\/span>
\nAsociaci\u00f3n Internacional de Cr\u00edticos de Arte, Cap\u00edtulo de Puerto Rico<\/span><\/p>\n

Resumen:\u00a0<\/strong>La formaci\u00f3n art\u00edstica de Narciso Dobal fue como su obra: muy poco convencional. A pesar de hab\u00e9rsele presentado oportunidades que no todos los artistas de su generaci\u00f3n tuvieron, la \u00e9poca en que vivi\u00f3 estuvo marcada por la guerra y otros conflictos econ\u00f3micos y sociales. Interesado en el arte desde ni\u00f1o, Dobal se vio acompa\u00f1ado en sus a\u00f1os escolares y universitarios por prominentes figuras de las artes visuales y la literatura. Siendo as\u00ed, al acercarnos a esta primera etapa de su desarrollo art\u00edstico obtenemos un atisbo de la escena art\u00edstica en el Puerto Rico de la d\u00e9cada de 1930.<\/span><\/p>\n

Abstract:<\/strong>\u00a0<\/span>Narciso Dobal\u2019s artistic training was, like his work, very unconventional. Despite he had opportunities that not all artists of his generation could aspire to had, the time he lived in was marked by war and other economic and social conflicts. Interested in art since childhood, Dobal was accompanied in his school and university years by prominent figures in the visual arts and literature. Thus, as we approach this first stage of its artistic development, we obtain a glimpse of the artistic scene in Puerto Rico in the 1930s.<\/span><\/p>\n

Palabras clave:\u00a0<\/span><\/strong><\/span>Narciso Dobal, Arte moderno, Pintura puertorrique\u00f1a, Muralismo, Arte puertorrique\u00f1o, Alejandro S\u00e1nchez Felipe, Academia de San Fernando, Academia de Bellas Artes de Espa\u00f1a<\/span><\/p>\n

Keywords:\u00a0<\/strong><\/span>Narciso Dobal, Modern art, Puerto Rican Painting, Muralism, Puerto Rican Art, Alejandro S\u00e1nchez Felipe, Academia de San Fernando, Academia de Bellas Artes de Espa\u00f1a<\/span><\/p>\n

Secci\u00f3n:<\/strong> Art\u00edculos \/ Section:<\/strong> Articles<\/span><\/p>\n

Recibido \/ Received:<\/strong> 5 de julio de 2020. Aceptado \/ Accepted:<\/strong> 9 de diciembre de 2020.<\/span><\/p>\n

Cita recomendada:<\/strong> Ortiz Burgos, Carlos. \u201cEl d<\/span>esarrollo de un artista moderno: Narciso Dobal Guliani<\/span>.\u201d Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Art<\/em>e, 2 de enero de 2021, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen:\u00a0La formaci\u00f3n art\u00edstica de Narciso Dobal fue como su obra: muy poco convencional. A pesar de hab\u00e9rsele presentado oportunidades que no todos los artistas de su generaci\u00f3n tuvieron, la \u00e9poca en que vivi\u00f3 estuvo marcada por la guerra y otros conflictos econ\u00f3micos y sociales. Interesado en el arte desde ni\u00f1o, Dobal se vio acompa\u00f1ado en sus a\u00f1os escolares y universitarios por prominentes figuras de las artes visuales y la literatura. Siendo as\u00ed, al acercarnos a esta primera etapa de su desarrollo art\u00edstico obtenemos un atisbo de la escena art\u00edstica en el Puerto Rico de la d\u00e9cada de 1930.<\/p>\n

Abstract:\u00a0Narciso Dobal\u2019s artistic training was, like his work, very unconventional. Despite he had opportunities that not all artists of his generation could aspire to had, the time he lived in was marked by war and other economic and social conflicts. Interested in art since childhood, Dobal was accompanied in his school and university years by prominent figures in the visual arts and literature. Thus, as we approach this first stage of its artistic development, we obtain a glimpse of the artistic scene in Puerto Rico in the 1930s.<\/p>\n","protected":false},"author":4,"featured_media":3635,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[1088,1087,1086,1083,928,1089,1085,1082,1084,273],"class_list":["post-3634","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-academia-de-bellas-artes-de-espana","tag-academia-de-san-fernando","tag-alejandro-sanchez-felipe","tag-arte-moderno","tag-arte-puertorriqueno","tag-modern-art","tag-muralismo","tag-narciso-dobal","tag-pintura-puertorriquena","tag-puerto-rican-art"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3634","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=3634"}],"version-history":[{"count":15,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3634\/revisions"}],"predecessor-version":[{"id":4686,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3634\/revisions\/4686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/3635"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=3634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=3634"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=3634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}