Izam Zawahra, Reconstrucci\u00f3n<\/i>, 2008.<\/p>\n[spacer height=”20px”]\n
Texto completo \/ Full Text<\/span><\/strong> T\u00edtulo: <\/b>La particularidad del detalle <\/span> Autor \/ Author: <\/b>Lisamaris Rosado<\/span> Resumen: <\/b>Uno de los directores del espacio 20-20 en Santurce, el tambi\u00e9n artista Izam Zawahra, re\u00fane una docena de creadores en la exhibici\u00f3n Evidentemente<\/i>, que recoge un conjunto de propuestas experimentales que van desde el dibujo a la pintura, pasando por el ensamblaje y las piezas que proponen una interacci\u00f3n entre el espectador y las redes sociales. Evidentemente <\/i>estuvo abierta hasta el 26 de febrero en la Liga de Arte de San Juan.<\/span><\/p>\n Abstract: <\/b>One of the directors of the 20-20 space in Santurce, artist Izam Zawahra, gathered a dozen creators in the exhibition Evidentemente [Evidently]<\/i>, in which he collects a set of experimental proposals that go from drawing to painting -with a remarkable cut of social and experimental criticism-, through the assembly and the pieces that propose an interaction between the viewer and social networks. Evidentemente <\/i>was open until February 26th, 2014 at the Liga de Arte de San Juan.<\/span><\/p>\n Palabras clave: <\/b>Admin Torres, Izam Zawahra, Javier Orfon, Lisamaris Rosado, Luis Alejandro Rodr\u00edguez, Nel Figueroa, Orlando Santiago, Pedro Fortunato, Pintura, Rafael Acosta D\u00edaz, Roberto \u201cYiyo\u201d Tirado, Rub\u00e9n \u201cSheto\u201d Luciano, Steven Rice, Tania Monclova <\/span><\/p>\n Keywords: <\/b>Admin Torres, collage, Izam Zawahra, Javier Orfon, Lisamaris Rosado, Luis Alejandro Rodr\u00edguez, Nel Figueroa, Orlando Santiago, Pedro Fortunato, Rafael Acosta D\u00edaz, Roberto \u201cYiyo\u201d Tirado, Rub\u00e9n \u201cSheto\u201d Luciano, Steven Rice, Tania Monclova, Painting<\/span><\/p>\n Secci\u00f3n: <\/b>Exhibiciones \/ Section: <\/b>Exhibitions<\/span><\/p>\n Publicaci\u00f3n: <\/b>15 de febrero de 2014<\/span><\/p>\n Cita recomendada:\u00a0<\/b>Rosado, Lisamaris. \u201cLa particularidad del detalle\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 15 de febrero de 2014, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":" Resumen: Uno de los directores del espacio 20-20 en Santurce, el tambi\u00e9n artista Izam Zawahra, re\u00fane una docena de creadores en la exhibici\u00f3n Evidentemente, que recoge un conjunto de propuestas experimentales que van desde el dibujo a la pintura, pasando por el ensamblaje y las piezas que proponen una interacci\u00f3n entre el espectador y las redes sociales. Evidentemente estuvo abierta hasta el 26 de febrero en la Liga de Arte de San Juan.<\/p>\n Abstract: One of the directors of the 20-20 space in Santurce, artist Izam Zawahra, gathered a dozen creators in the exhibition Evidentemente [Evidently], in which he collects a set of experimental proposals that go from drawing to painting -with a remarkable cut of social and experimental criticism-, through the assembly and the pieces that propose an interaction between the viewer and social networks. Evidentemente was open until February 26th, 2014 at the Liga de Arte de San Juan.<\/p>\n","protected":false},"author":82,"featured_media":3589,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[493,317,967,152,908,1057,1058,748,77,1059,25,1060,1061,1062,1063,1064],"class_list":["post-3588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-admin-torres","tag-collage","tag-izam-zawahra","tag-javier-orfon","tag-lisamaris-rosado","tag-luis-alejandro-rodriguez","tag-nel-figueroa","tag-orlando-santiago","tag-painting","tag-pedro-fortunato","tag-pintura","tag-rafael-acosta-diaz","tag-roberto-yiyo-tirado","tag-ruben-sheto-luciano","tag-steven-rice","tag-tania-monclova"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/82"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=3588"}],"version-history":[{"count":9,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3588\/revisions"}],"predecessor-version":[{"id":4837,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3588\/revisions\/4837"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/3589"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=3588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=3588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=3588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\n
\nTitle: <\/b>The Particularity of the Detail<\/span><\/p>\n
\nNational University College<\/span><\/p>\n