{"id":3170,"date":"2020-11-19T02:40:58","date_gmt":"2020-11-19T06:40:58","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=3170"},"modified":"2025-10-20T15:08:19","modified_gmt":"2025-10-20T19:08:19","slug":"lectura-cuir-queer-para-un-unicornio","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/lectura-cuir-queer-para-un-unicornio\/","title":{"rendered":"Lectura cuir (queer) para un unicornio"},"content":{"rendered":"\n

Lorenzo Homar, Unicornio en la isla<\/em>, 1965. Colecci\u00f3n: Museo de Arte de Puerto Rico.<\/a><\/span><\/p>\n\n

[spacer height=”20px”]
\n\n

Texto completo \/ Full text<\/span><\/strong>
\n\nPDF<\/strong><\/a> \/ ePUB<\/strong><\/span><\/p><\/a>\nT\u00edtulo:<\/b> Lectura cuir (queer) para un unicornio<\/span>
\n\nTitle<\/b>: A Cuir (Queer) Reading for a Unicorn\n<\/span>

\n\nAutor \/ Author<\/b>: Jos\u00e9 Correa Vigier<\/span>
\n\nCurador, Historiador y Cineasta Independiente\n<\/span>

\n

Resumen<\/b>: Unicornio en la Isla<\/em> es uno de los grabados m\u00e1s reconocidos del artista puertorrique\u00f1o Lorenzo Homar, realizado en 1965. Su t\u00edtulo es hom\u00f3nimo a uno de los poemas de Tom\u00e1s Blanco, destacado poeta y narrador de la generaci\u00f3n del 30 en Puerto Rico. A trav\u00e9s de tres claves determinantes \u2014la amistad que un\u00eda a ambos autores, el hecho de que el artista conoc\u00eda la identidad sexual del poeta y el car\u00e1cter er\u00f3tico del poema\u2014 Jos\u00e9 Correa Vigier propone una intepretaci\u00f3n de car\u00e1cter cuir a este grabado, lejos de la tradicional connotaci\u00f3n pol\u00edtica con la que se ha le\u00eddo hasta ahora.<\/span><\/p>\n\n

Abstract<\/b>: Unicorn on the Island<\/em> was created in 1965, and it is one of the most recognized prints by Puerto Rican artist Lorenzo Homar. Its title is homonymous to one of Tom\u00e1s Blanco\u2019s poem, a prominent poet and narrator of the generation of the 1930s in Puerto Rico. Through three key components \u2014both artists\u2019 friendship, the fact that the artist knew the poet\u2019s sexual identity and the erotic nature of the poem\u2014 Jos\u00e9 Correa Vigier proposes a cuir interpretation for this print, far from the traditional political reading proposed until today.<\/span><\/p>\n\nPalabras<\/b> clave<\/b>: Arte puertorrique\u00f1o, Cuir, Queer, Grabado, Lorenzo Homar, Tom\u00e1s Blanco, Unicornio en la isla,\nXilograf\u00eda<\/span>
\n\nKeywords<\/b>: Puerto Rican Art, Cuir, Queer, Lorenzo Homar, Printmaking, Tom\u00e1s Blanco, Unicornio en la isla,\nWoodcut<\/span>

\n\nSecci\u00f3n:<\/b> Obras \/ Section<\/b>: Artworks\u00a0<\/span><\/span>

\n\n\nPublicado:<\/strong> 19 de noviembre de 2020.<\/span>

\n\nCita recomendada:<\/b> Correa Vigier, Jos\u00e9. \u201cLectura cuir (queer) para un unicornio\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 19 de noviembre de 2020, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span>\n","protected":false},"excerpt":{"rendered":"

Unicornio en la Isla es uno de los grabados m\u00e1s reconocidos del artista puertorrique\u00f1o Lorenzo Homar, realizado en 1965. Su t\u00edtulo es hom\u00f3nimo a uno de los poemas de Tom\u00e1s Blanco, destacado poeta y narrador de la generaci\u00f3n del 30 en Puerto Rico. A trav\u00e9s de tres claves determinantes \u2014la amistad que un\u00eda a ambos autores, el hecho de que el artista conoc\u00eda la identidad sexual del poeta y el car\u00e1cter er\u00f3tico del poema\u2014 Jos\u00e9 Correa Vigier propone una intepretaci\u00f3n de car\u00e1cter cuir a este grabado, lejos de la tradicional connotaci\u00f3n pol\u00edtica con la que se ha le\u00eddo hasta ahora. <\/p>\n","protected":false},"author":72,"featured_media":3173,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[928,927,149,16,641,273,926,929,930,807,805],"class_list":["post-3170","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-obras","tag-arte-puertorriqueno","tag-cuir","tag-grabado","tag-lorenzo-homar","tag-printmaking","tag-puerto-rican-art","tag-queer","tag-tomas-blanco","tag-unicornio-en-la-isla","tag-woodcut","tag-xilografia"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3170","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/72"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=3170"}],"version-history":[{"count":37,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3170\/revisions"}],"predecessor-version":[{"id":7139,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/3170\/revisions\/7139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/3173"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=3170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=3170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=3170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}