{"id":2649,"date":"2020-10-23T23:09:51","date_gmt":"2020-10-24T03:09:51","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=2649"},"modified":"2021-11-23T00:20:31","modified_gmt":"2021-11-23T04:20:31","slug":"elegia-al-rostro-final-la-fotografia-de-la-mascara-mortuoria-de-erich-sander","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/elegia-al-rostro-final-la-fotografia-de-la-mascara-mortuoria-de-erich-sander\/","title":{"rendered":"Eleg\u00eda al rostro final: la fotograf\u00eda de la m\u00e1scara mortuoria de Erich Sander"},"content":{"rendered":"

August Sander, M\u00e1scara mortuoria de Erich Sander<\/em>, 1944. \u00a9 Die Photographische Sammlung\/SK Stiftung Kultur – August Sander Archiv, Cologne; ARS, New York.<\/span><\/p>\n

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T\u00edtulo:<\/strong> Eleg\u00eda al rostro final: la fotograf\u00eda de la m\u00e1scara mortuoria de Erich Sander<\/span>
\nTitle:<\/strong> Elegy to the Last Face: The Photograph of the Death Mask of Erich Sander<\/span><\/p>\n

Autor \/\u00a0<\/span><\/strong>Author:<\/strong> Laura Bravo <\/span>
\nUniversidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen:<\/strong> Menschen des 20. Jahrhunderts<\/em> (Gente del siglo XX<\/em>) es el vasto proyecto fotogr\u00e1fico que August Sander desarroll\u00f3, no sin dram\u00e1ticos obst\u00e1culos, a lo largo de cuatro d\u00e9cadas. La fotograf\u00eda que cierra este extraordinario archivo es la de la m\u00e1scara mortuoria de su hijo mayor, Erich. Esta elecci\u00f3n del fot\u00f3grafo alem\u00e1n abre una serie de distintos planteamientos que incitan a la reflexi\u00f3n, entre los que est\u00e1n la mirada del autor y su relaci\u00f3n con el sujeto protagonista, el contenido hist\u00f3rico de la imagen y su carga pol\u00edtica, su composici\u00f3n, su valor documental y de \u00edndice, su cuestionable objetividad, as\u00ed como su contexto en el marco de la fotograf\u00eda coet\u00e1nea y su simb\u00f3lica funci\u00f3n en la producci\u00f3n del artista.<\/span><\/p>\n

Abstract:<\/strong> Menschen des 20. Jahrhunderts<\/em> (People of the 20th Century<\/em>) is the vast photographic project that August Sander developed, not without dramatic obstacles, over four decades. The photograph that ends this extraordinary archive is that of the death mask of his eldest son, Erich. The decision of this German photographer opens a series of different questions that provokes a reflection on the author\u2019s gaze and his relationship with the subject, the historical content and the political weight of the image, its composition, its documentary and indexical value, its questionable objectivity, and its place in the context of coetaneous photography and its symbolic function in the artist\u2019s work.<\/span><\/p>\n

Palabras clave:<\/strong> Fotograf\u00eda, muerte, August Sander, Erich Sander, m\u00e1scara mortuoria, \u00edndice.<\/span>
\nKeywords:<\/strong> Photography, death, August Sander, Erich Sander, death mask, index.<\/span><\/p>\n

Secci\u00f3n:<\/strong> Art\u00edculos \/ Section:<\/strong> Articles<\/span><\/p>\n

Recibido \/ Received:<\/strong> 26 de septiembre de 2020. Aceptado \/ Accepted:<\/strong> 15 de octubre de 2020.<\/span><\/p>\n

Cita recomendada:<\/strong> Bravo L\u00f3pez, Laura. \u201cEleg\u00eda al rostro final: la fotograf\u00eda de la m\u00e1scara mortuoria de Erich Sander\u201d. Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Art<\/em>e, 23 de octubre de 2020,\u00a0humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: Menschen des 20. Jahrhunderts (Gente del siglo XX) es el vasto proyecto fotogr\u00e1fico que August Sander desarroll\u00f3, no sin dram\u00e1ticos obst\u00e1culos, a lo largo de cuatro d\u00e9cadas. La fotograf\u00eda que cierra este extraordinario archivo es la de la m\u00e1scara mortuoria de su hijo mayor, Erich. Esta elecci\u00f3n del fot\u00f3grafo alem\u00e1n abre una serie de distintos planteamientos que incitan a la reflexi\u00f3n, entre los que est\u00e1n la mirada del autor y su relaci\u00f3n con el sujeto protagonista, el contenido hist\u00f3rico de la imagen y su carga pol\u00edtica, su composici\u00f3n, su valor documental y de \u00edndice, su cuestionable objetividad, as\u00ed como su contexto en el marco de la fotograf\u00eda coet\u00e1nea y su simb\u00f3lica funci\u00f3n en la producci\u00f3n del artista.<\/p>\n

Abstract: Menschen des 20. Jahrhunderts (People of the 20th Century) is the vast photographic project that August Sander developed, not without dramatic obstacles, over four decades. The photograph that ends this extraordinary archive is that of the death mask of his eldest son, Erich. The decision of this German photographer opens a series of different questions that provokes a reflection on the author\u2019s gaze and his relationship with the subject, the historical content and the political weight of the image, its composition, its documentary and indexical value, its questionable objectivity, and its place in the context of coetaneous photography and its symbolic function in the artist\u2019s work.<\/p>\n","protected":false},"author":3,"featured_media":2723,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[644,643,647,645,228,649,648,646,642,343],"class_list":["post-2649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-august-sander","tag-death","tag-death-mask","tag-erich-sander","tag-fotografia","tag-index","tag-indice","tag-mascara-mortuoria","tag-muerte","tag-photography"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=2649"}],"version-history":[{"count":17,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2649\/revisions"}],"predecessor-version":[{"id":5690,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2649\/revisions\/5690"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/2723"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=2649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=2649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=2649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}