{"id":2626,"date":"2020-10-23T19:36:57","date_gmt":"2020-10-23T23:36:57","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=2626"},"modified":"2021-11-23T00:21:38","modified_gmt":"2021-11-23T04:21:38","slug":"la-imagen-la-palabra-y-el-tacto-el-sacrificio-de-abrahan-de-rembrandt-y-la-grafica-como-un-ejercicio-de-intimidad","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/la-imagen-la-palabra-y-el-tacto-el-sacrificio-de-abrahan-de-rembrandt-y-la-grafica-como-un-ejercicio-de-intimidad\/","title":{"rendered":"La imagen, la palabra y el tacto: El sacrificio de Abrah\u00e1n de Rembrandt y la gr\u00e1fica como un ejercicio de intimidad"},"content":{"rendered":"

Rembrandt van Rijn, El sacrificio de Abrah\u00e1n<\/em>, 1655. Aguafuerte sobre papel (6.14 x 5.07\u201d \/ 157 x 131mm). Rijksmuseum.<\/span><\/p>\n

[spacer height=”20px”]<\/span>
\nTexto completo \/ Full text<\/span><\/strong>
\nPDF<\/a><\/strong> \/ ePUB<\/a><\/strong><\/span><\/p>\n

T\u00edtulo:<\/strong> La imagen, la palabra y el tacto: El sacrifico de Abrah\u00e1n<\/em> de Rembrandt y la gr\u00e1fica como un ejercicio de intimidad<\/span>
\nTitle:<\/strong> Image, Word, and Touch: Rembrandt\u2019s The Sacrifice of Abraham<\/em>, and the Printmaking as an Exercise of Intimacy<\/span><\/p>\n

Autor \/ Author:<\/strong> Mercedes Trelles Hern\u00e1ndez<\/span>
\nUniversidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen:<\/strong> Este estudio del aguafuerte El sacrificio de Abrah\u00e1n<\/em> (1655) de Rembrandt analiza su iconograf\u00eda y el rompimiento parcial con la palabra, a trav\u00e9s del \u00e9nfasis en lo h\u00e1ptico y la hexis corporal. La imagen se analiza a la luz de distintos datos biogr\u00e1ficos del artista holand\u00e9s y de informaci\u00f3n sobre las diferencias entre la gr\u00e1fica holandesa del siglo XVII y la pintura, en cuanto a dimensiones, coleccionismo y los h\u00e1bitos del espectador.<\/span><\/p>\n

Abstract:<\/strong> This study of Rembrandt\u2019s etching The Sacrifice of Abraham<\/em> (1655) analyzes its iconography and its partial break with the word, through the artist\u2019s emphasis on bodily hexis and the print\u2019s haptic qualities. The image is analyzed to the light of biographical information about the Dutch artist, the differences between Dutch prints of the 17th century and painting, with regards to dimensions, collecting and the spectator\u2019s habits.<\/span><\/p>\n

Palabras clave:<\/strong> Rembrandt, Grabado holand\u00e9s, El sacrificio de Abrah\u00e1n, H\u00e1ptico, Hexis corporal<\/span>
\nKeywords:<\/strong> Rembrandt, Dutch Printmaking, The Sacrifice of Abraham, Haptics, Bodily Hexis<\/span><\/p>\n

Secci\u00f3n:<\/strong> Art\u00edculos \/ Section:<\/strong> Articles<\/span><\/p>\n

Recibido \/ Received:<\/strong> 2 de marzo de 2020. Aceptado \/ Accepted:<\/strong> 5 de mayo de 2020.<\/span><\/p>\n

Cita recomendada:<\/strong> Trelles Hern\u00e1ndez, Mercedes. \u201cLa imagen, la palabra y el tacto: El sacrifico de Abrah\u00e1n<\/em> de Rembrandt y la gr\u00e1fica como un ejercicio de intimidad.\u201d Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 23 de octubre de 2020, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: Este estudio del aguafuerte El sacrificio de Abrah\u00e1n (1655) de Rembrandt analiza su iconograf\u00eda y el rompimiento parcial con la palabra, a trav\u00e9s del \u00e9nfasis en lo h\u00e1ptico y la hexis corporal. La imagen se analiza a la luz de distintos datos biogr\u00e1ficos del artista holand\u00e9s y de informaci\u00f3n sobre las diferencias entre la gr\u00e1fica holandesa del siglo XVII y la pintura, en cuanto a dimensiones, coleccionismo y los h\u00e1bitos del espectador.<\/p>\n

Abstract: This study of Rembrandt\u2019s etching The Sacrifice of Abraham (1655) analyzes its iconography and its partial break with the word, through the artist\u2019s emphasis on bodily hexis and the print\u2019s haptic qualities. The image is analyzed to the light of biographical information about the Dutch artist, the differences between Dutch prints of the 17th century and painting, with regards to dimensions, collecting and the spectator\u2019s habits.<\/p>\n","protected":false},"author":94,"featured_media":2739,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[631,628,625,624,626,630,627,623,629],"class_list":["post-2626","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-bodily-hexis","tag-dutch-printmaking","tag-el-sacrificio-de-abrahan","tag-grabado-holandes","tag-haptico","tag-haptics","tag-hexis-corporal","tag-rembrandt","tag-the-sacrifice-of-abraham"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2626","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=2626"}],"version-history":[{"count":15,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2626\/revisions"}],"predecessor-version":[{"id":4683,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2626\/revisions\/4683"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/2739"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=2626"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=2626"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=2626"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}