{"id":2595,"date":"2020-10-23T19:37:34","date_gmt":"2020-10-23T23:37:34","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=2595"},"modified":"2021-11-23T00:21:28","modified_gmt":"2021-11-23T04:21:28","slug":"ingenioso-balance-entre-dos-visiones-copy-copy-2","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/ingenioso-balance-entre-dos-visiones-copy-copy-2\/","title":{"rendered":"Susan Meiselas y lo invisible: la fotograf\u00eda de guerra y su discurso"},"content":{"rendered":"

Susan Meiselas, Soldiers Search Bus Passengers Along the Northern Highway, near Suchitoto, El Salvador, <\/em>1980. Serie El Salvador<\/em>, 1979-1983. \u00a9 Susan Meiselas \/ Magnum Photos.<\/span><\/p>\n

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T\u00edtulo:\u00a0<\/strong>Susan Meiselas y lo invisible: la fotograf\u00eda de guerra y discurso<\/span>
\nTitle:\u00a0<\/strong>Susan Meiselas and the invisible: War Photography and its Discourse<\/span><\/p>\n

Autor \/ Author:\u00a0<\/strong>\u00c9tienne Helmer<\/span>
\nUniversidad de Puerto Rico, Recinto de R\u00edo Piedras<\/span><\/p>\n

Resumen:\u00a0<\/strong>Unas im\u00e1genes que la fotorreportera estadounidense Susan Meiselas realiza en 1980, en El Salvador, se exploran bajo la \u00f3ptica abarcadora de la fotograf\u00eda de guerra y atendiendo a un an\u00e1lisis deudor del poder de reflexi\u00f3n y de informaci\u00f3n que propicia ese g\u00e9nero fotogr\u00e1fico. En particular, el foco de este an\u00e1lisis es el concepto de la invisibilidad, como un elemento clave en la representaci\u00f3n de la violencia.\u00a0Se examina en qu\u00e9 medida la invisibilidad logra propiciar el poder mostrativo y reflexivo de la imagen fotogr\u00e1fica, y transformarla en una mediaci\u00f3n para ser cuestionada como algo m\u00e1s que en una fuente dogm\u00e1tica de la verdad.<\/span><\/p>\n

Abstract:\u00a0<\/strong>Some images taken by American photojournalist Susan Meiselas in El Salvador in 1980 are explored under the wide optics of war photography and analyzing the power of reflection and information this photographic genre favors. Particularly, this analysis is focused on the concept of invisibility, as a key element in the representation of violence.\u00a0This article also examines how invisibility succeeds in fostering the demonstrative and reflective power of the photographic image, and transforming it into a mediation to be questioned as something else rather than a dogmatic source of truth.<\/span><\/p>\n

Palabras clave:<\/strong> Fotograf\u00eda, Susan Meiselas, Invisibilidad, Mediaci\u00f3n, Guerra, Violencia<\/span>
\nKeywords:<\/strong> Photography, Susan Meiselas, Invisibility, Mediation, War, Violence<\/span><\/p>\n

Secci\u00f3n:<\/strong> Art\u00edculos \/ Section:<\/strong> Articles<\/span><\/p>\n

Recibido \/ Received:<\/strong> 5 de septiembre de 2019. Aceptado \/ Accepted:<\/strong> 4 de noviembre de 2019.<\/span><\/p>\n

Cita recomendada:<\/strong> Helmer, \u00c9tienne. \u201cSusan Meiselas y lo invisible: la fotograf\u00eda de guerra y discurso.\u201d Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 23 de octubre de 2020, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen:\u00a0Unas im\u00e1genes que la fotorreportera estadounidense Susan Meiselas realiza en 1980, en El Salvador, se exploran bajo la \u00f3ptica abarcadora de la fotograf\u00eda de guerra y atendiendo a un an\u00e1lisis deudor del poder de reflexi\u00f3n y de informaci\u00f3n que propicia ese g\u00e9nero fotogr\u00e1fico. En particular, el foco de este an\u00e1lisis es el concepto de la invisibilidad, como un elemento clave en la representaci\u00f3n de la violencia.\u00a0Se examina en qu\u00e9 medida la invisibilidad logra propiciar el poder mostrativo y reflexivo de la imagen fotogr\u00e1fica, y transformarla en una mediaci\u00f3n para ser cuestionada como algo m\u00e1s que en una fuente dogm\u00e1tica de la verdad.<\/p>\n

Abstract:\u00a0Some images taken by American photojournalist Susan Meiselas in El Salvador in 1980 are explored under the wide optics of war photography and analyzing the power of reflection and information this photographic genre favors. Particularly, this analysis is focused on the concept of invisibility, as a key element in the representation of violence.\u00a0This article also examines how invisibility succeeds in fostering the demonstrative and reflective power of the photographic image, and transforming it into a mediation to be questioned as something else rather than a dogmatic source of truth.<\/p>\n","protected":false},"author":127,"featured_media":2608,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[228,367,622,369,366,343,621,372,368,371],"class_list":["post-2595","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-fotografia","tag-guerra","tag-invisibilidad","tag-invisibility","tag-mediacion","tag-photography","tag-susan-meiselas","tag-violence","tag-violencia","tag-war"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2595","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=2595"}],"version-history":[{"count":27,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2595\/revisions"}],"predecessor-version":[{"id":4684,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2595\/revisions\/4684"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/2608"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=2595"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=2595"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=2595"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}