{"id":2413,"date":"2013-04-15T00:00:49","date_gmt":"2013-04-15T04:00:49","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=2413"},"modified":"2021-11-23T12:44:28","modified_gmt":"2021-11-23T16:44:28","slug":"unpainting-una-idea-sobre-la-deconstruccion-de-la-pintura","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/unpainting-una-idea-sobre-la-deconstruccion-de-la-pintura\/","title":{"rendered":"\u201cUnpainting\u201d: una idea sobre la deconstrucci\u00f3n de la pintura"},"content":{"rendered":"<p style=\"text-align: right;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Texto completo \/ Full text<\/span><\/strong><br \/>\n<strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><a href=\"https:\/\/drive.google.com\/file\/d\/1_qTD6ZjMj9d9xq1pI4GoXVQQOF5KcJht\/view?usp=sharing\">PDF<\/a> \/ <a href=\"https:\/\/drive.google.com\/file\/d\/1IfKDBND6VJhDd8c4l1GTOcw4OZo_JaZZ\/view?usp=sharing\">ePUB<\/a><\/span><\/strong><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>T\u00edtulo:<\/strong> \u201cUnpainting\u201d: una idea sobre la deconstrucci\u00f3n de la pintura<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Title:<\/strong> \u201cUnpainting\u201d: An Idea About the Deconstruction of Painting<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Autor \/ Author:<\/strong> Raquel Torres Arzola<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Universidad de Puerto Rico<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Resumen:<\/strong> El 11 de abril de 2013 la galer\u00eda Walter Otero Contemporary Art inaugur\u00f3 la muestra del artista Michael Linares, titulada <em>Unpainting<\/em>, que aborda conceptualmente la pintura para deconstruir la naturaleza de su ejercicio desde la puesta en escena cr\u00edtica de sus elementos y de sus cualidades formales. Las piezas reflexionan y se acercan conceptualmente a cada una de las fases que por tradici\u00f3n son requeridas como destrezas por la cr\u00edtica formalista para la valorizaci\u00f3n de una pintura como objeto de arte.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Abstract:<\/strong> On April 11 2013, Walter Otero Contemporary Art gallery opened Michael Linares&#8217; work exhibition, titled <em>Unpainting<\/em>, which conceptually approaches painting to deconstruct the nature of its exercise from the critical work of its elements and its formal qualities. The art pieces offer a reflection and a conceptual approach to each of the phases that are considered traditional skill requisites by formalist critics to appreciate a painting as an art object.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Palabras clave:<\/strong> Michael Linares, Walter Oter Contemporary Art, WOCA, Arte conceptual, Pintura<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Keywords:<\/strong> Michael Linares, Walter Oter Contemporary Art, WOCA, Conceptual Art, Painting<br \/>\n<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Secci\u00f3n:<\/strong> Exhibiciones<\/span><span>\u00a0\/\u00a0<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Section:<\/strong> Exhibitions<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Publicaci\u00f3n:<\/strong> 15 de abril de 2013<\/span><\/p>\n<p><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Cita recomendada:<\/span><span>\u00a0<\/span><\/strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Torres Arzola, Raquel. \u201cUnpainting\u201d: una idea sobre la deconstrucci\u00f3n de la pintura.\u201d <em>Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 15 de abril de 2013, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resumen: El 11 de abril de 2013 la galer\u00eda Walter Otero Contemporary Art inaugur\u00f3 la muestra del artista Michael Linares, titulada Unpainting, que aborda conceptualmente la pintura para deconstruir la naturaleza de su ejercicio desde la puesta en escena cr\u00edtica de sus elementos y de sus cualidades formales. Las piezas reflexionan y se acercan conceptualmente a cada una de las fases que por tradici\u00f3n son requeridas como destrezas por la cr\u00edtica formalista para la valorizaci\u00f3n de una pintura como objeto de arte.<\/p>\n<p>Abstract: On April 11 2013, Walter Otero Contemporary Art gallery opened Michael Linares&#8217; work exhibition, titled Unpainting, which conceptually approaches painting to deconstruct the nature of its exercise from the critical work of its elements and its formal qualities. The art pieces offer a reflection and a conceptual approach to each of the phases that are considered traditional skill requisites by formalist critics to appreciate a painting as an art object.<\/p>\n","protected":false},"author":107,"featured_media":2414,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[441,443,569,77,25,570,571],"class_list":["post-2413","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-arte-conceptual","tag-conceptual-art","tag-michael-linares","tag-painting","tag-pintura","tag-walter-oter-contemporary-art","tag-woca"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/107"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=2413"}],"version-history":[{"count":7,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2413\/revisions"}],"predecessor-version":[{"id":4465,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2413\/revisions\/4465"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/2414"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=2413"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=2413"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=2413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}