{"id":2301,"date":"2013-03-15T00:00:09","date_gmt":"2013-03-15T04:00:09","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=2301"},"modified":"2021-11-23T12:50:04","modified_gmt":"2021-11-23T16:50:04","slug":"avenida-ilusion-esquina-concreto","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/avenida-ilusion-esquina-concreto\/","title":{"rendered":"Avenida Ilusi\u00f3n, esquina Concreto"},"content":{"rendered":"<p style=\"text-align: right;\"><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Texto completo \/ Full text<\/span><\/strong><br \/>\n<strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><a href=\"https:\/\/drive.google.com\/file\/d\/1u0xDIZydbRadVNrnDcOTZDev7efS-rwj\/view?usp=sharing\">PDF<\/a> \/ <a href=\"https:\/\/drive.google.com\/file\/d\/1ebo0ge1JrPqPQutbmi2zPTHAJzB3J1al\/view?usp=sharing\">ePUB<\/a><\/span><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>T\u00edtulo:<\/strong> Avenida Ilusi\u00f3n, esquina Concreto<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Title:<\/strong> Illusion Avenue at the Corner of Concrete<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Autor \/ Author:<\/strong> Rafael Franco<\/span><br \/>\n<span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Escritor, traductor y periodista independiente<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Resumen:<\/strong> La exposici\u00f3n <em>Concrete illusions<\/em>, abierta en marzo de 2013 en el Centro Cultural Clemente Soto V\u00e9lez, en el distrito de Loisaida (Nueva York), cont\u00f3 con la participaci\u00f3n de veinte artistas de la colecci\u00f3n privada de Jos\u00e9 Hern\u00e1ndez Castrodad. La muestra abord\u00f3 temas como la exploraci\u00f3n de espacios p\u00fablicos y privados de la Isla y de la identidad boricua.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Abstract:<\/strong> The exhibition <em>Concrete Illusions<\/em>, opened in March 2013 at the Clemente Soto V\u00e9lez Cultural Center in the Loisaida district of New York City, showed the work of twenty artists from Jos\u00e9 Hern\u00e1ndez Castrodad\u2019s private collection. This exhibition addressed issues such as the exploration of public and private spaces on the island, and the Puerto Rican identity.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Palabras claves:<\/strong> Loisaida,Centro Cultural Clemente Soto V\u00e9lez, Jos\u00e9 Hern\u00e1ndez Castrodad, Gentrificaci\u00f3n, Karlo Andrei Ibarra, Jes\u00fas \u201cBubu\u201d Negr\u00f3n, Michelle Gratac\u00f3s, Norma Vila, Josu\u00e9 Pellot, Sebasti\u00e1n Vallejo, Quint\u00edn Rivera Toro, Raquel Quijano, Edgardo Larregui, Sof\u00eda Maldonado<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Keywords:<\/strong> Loisaida,Centro Cultural Clemente Soto V\u00e9lez, Jos\u00e9 Hern\u00e1ndez Castrodad, Gentrification, Karlo Andrei Ibarra, Jes\u00fas \u201cBubu\u201d Negr\u00f3n, Michelle Gratac\u00f3s, Norma Vila, Josu\u00e9 Pellot, Sebasti\u00e1n Vallejo, Quint\u00edn Rivera Toro, Raquel Quijano, Edgardo Larregui, Sof\u00eda Maldonado<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Secci\u00f3n:<\/strong> Exhibiciones<\/span><span>\u00a0\/\u00a0<\/span><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Section:<\/strong> Exhibitions<\/span><\/p>\n<p><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\"><strong>Publicaci\u00f3n: <\/strong>15 de marzo de 2013<\/span><\/p>\n<p><strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Cita recomendada:<\/span><span>\u00a0<\/span><\/strong><span style=\"font-family: arial, helvetica, sans-serif; font-size: 120%;\">Rafael, Franco. \u201cAvenida Ilusi\u00f3n, esquina Concreto.\u201d <em>Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/em>, 15 de marzo de 2013, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resumen: La exposici\u00f3n Concrete illusions, abierta en marzo de 2013 en el Centro Cultural Clemente Soto V\u00e9lez, en el distrito de Loisaida (Nueva York), cont\u00f3 con la participaci\u00f3n de veinte artistas de la colecci\u00f3n privada de Jos\u00e9 Hern\u00e1ndez Castrodad. La muestra abord\u00f3 temas como la exploraci\u00f3n de espacios p\u00fablicos y privados de la Isla y de la identidad boricua.<\/p>\n<p>Abstract: The exhibition Concrete Illusions, opened in March 2013 at the Clemente Soto V\u00e9lez Cultural Center in the Loisaida district of New York City, showed the work of twenty artists from Jos\u00e9 Hern\u00e1ndez Castrodad\u2019s private collection. This exhibition addressed issues such as the exploration of public and private spaces on the island and the Puerto Rican identity.<\/p>\n","protected":false},"author":100,"featured_media":2302,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[415,425,417,427,419,416,145,418,414,420,421,423,424,422,426],"class_list":["post-2301","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-centro-cultural-clemente-soto-velez","tag-edgardo-larregui","tag-gentrificacion","tag-gentrification","tag-jesus-bubu-negron","tag-jose-hernandez-castrodad","tag-josue-pellot","tag-karlo-andrei-ibarra","tag-loisaida","tag-michelle-gratacos","tag-norma-vila","tag-quintin-rivera-toro","tag-raquel-quijano","tag-sebastian-vallejo","tag-sofia-maldonado"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2301","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/100"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=2301"}],"version-history":[{"count":9,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2301\/revisions"}],"predecessor-version":[{"id":4444,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/2301\/revisions\/4444"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/2302"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=2301"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=2301"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=2301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}