{"id":1948,"date":"2020-03-28T17:49:40","date_gmt":"2020-03-28T21:49:40","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1948"},"modified":"2025-10-20T11:26:04","modified_gmt":"2025-10-20T15:26:04","slug":"diario-de-un-chango-los-regresos-de-edgard-rodriguez-luiggi","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/diario-de-un-chango-los-regresos-de-edgard-rodriguez-luiggi\/","title":{"rendered":"Diario de un chango: los regresos de Edgard Rodr\u00edguez Luiggi"},"content":{"rendered":"\n

Edgard Rodr\u00edguez Luiggi, 2019-2020.<\/a><\/span><\/p>\n\n

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Texto completo \/ Full text<\/span><\/strong>
\nPDF<\/strong><\/a> \/ ePUB<\/strong><\/span><\/p><\/a>\nT\u00edtulo:<\/b> Diario de un chango: los regresos de Edgard Rodr\u00edguez Luiggi<\/span>
\n\nTitle<\/b>: Diary of a Grackle: The Returns of Edgard Rodr\u00edguez Luiggi\n<\/span>

\n\nAutor \/ Author<\/b>: Lilliana Ramos Collado<\/span>
\n\nUniversidad de Puerto Rico, Recinto de R\u00edo Piedras\n<\/span>

\n

Resumen<\/b>:El trabajo de Edgard Rodr\u00edguez Luiggi es complejo en temas, materialidad y t\u00e9cnicas. En Diario de un chango<\/em>, ciento una placas desechadas de mylar para imprenta constituyen espacios aleatorios, donde el estrago debido al chango deviene un \u201ccualquiercosario\u201d dedicado a la repetici\u00f3n, el humor negro y el olvido. Su exhibici\u00f3n ocup\u00f3 las salas de la Liga de Arte de San Juan, entre enero y febrero de 2020.<\/span><\/p>\n\n

Abstract<\/b>: Edgard Rodr\u00edguez Luiggi\u2019s work is complex in terms of themes, materiality and techniques. In Diario de un chango [Diary of a Grackle]<\/em>, one hundred and one discarded mylar plates for printing constitute random spaces, where havoc caused by the grackle becomes a \u201ccualquiercosario\u201d dedicated to repetition, black humor and oblivion. His exhibition was on show at the Liga de Arte de San Juan, between January and February 2020.\n<\/span><\/p>\nPalabras<\/b> clave<\/b>: Edgard Rodr\u00edguez Luiggi, Liga de Arte de San Juan, Pintura, Chango, Humor, Olvido<\/span>
\n\nKeywords<\/b>: Edgard Rodr\u00edguez Luiggi, Liga de Arte de San Juan, Painting, Grackle, Humor, Oblivion<\/span>

\n\nSecci\u00f3n:<\/b> Exhibiciones \/ Section<\/b>: Exhibitions\u00a0<\/span><\/span>

\n\n\nPublicado:<\/strong> 28 de marzo de 2020.<\/span>

\n\nCita recomendada:<\/b> Ramos Collado, Lilliana. \u201cDiario de un chango: los regresos de Edgard Rodr\u00edguez Luiggi\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 28 de marzo de 2020, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span>\n","protected":false},"excerpt":{"rendered":"

El trabajo de Edgard Rodr\u00edguez Luiggi es complejo en temas, materialidad y t\u00e9cnicas. En Diario de un chango, ciento una placas desechadas de mylar para imprenta constituyen espacios aleatorios, donde el estrago debido al chango deviene un “cualquiercosario” dedicado a la repetici\u00f3n, el humor negro y el olvido. Su exhibici\u00f3n ocup\u00f3 las salas de la Liga de Arte de San Juan, entre enero y febrero de 2020.<\/p>\n

Edgard Rodr\u00edguez Luiggi’s work is complex in terms of themes, materiality and techniques. In Diario de un chango [Diary of a Grackle], one hundred and one discarded mylar plates for printing constitute random spaces, where havoc caused by the grackle becomes a “cualquiercosario” dedicated to repetition, black humor and oblivion. His exhibition was on show at the Liga de Arte de San Juan, between January and February 2020.<\/p>\n","protected":false},"author":79,"featured_media":1950,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[1857,340,1855,148,341,1858,1856,77,25],"class_list":["post-1948","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-chango","tag-edgar-rodriguez-luiggi","tag-grackle","tag-humor","tag-liga-de-arte-de-san-juan","tag-oblivion","tag-olvido","tag-painting","tag-pintura"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/79"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=1948"}],"version-history":[{"count":14,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1948\/revisions"}],"predecessor-version":[{"id":7112,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1948\/revisions\/7112"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/1950"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=1948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=1948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=1948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}