{"id":1835,"date":"2020-03-30T10:19:12","date_gmt":"2020-03-30T14:19:12","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1835"},"modified":"2025-10-20T11:37:50","modified_gmt":"2025-10-20T15:37:50","slug":"arte-memoria-y-resistencia-ante-la-violencia-de-estado-en-chile-y-argentina","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/arte-memoria-y-resistencia-ante-la-violencia-de-estado-en-chile-y-argentina\/","title":{"rendered":"Arte, memoria y resistencia ante la violencia de Estado en Chile y Argentina"},"content":{"rendered":"\n

Francisco Papas Fritas, Performance: El ladrillo angular<\/em>, 2014.<\/a><\/span><\/p>\n\n

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Texto completo \/ Full text<\/span><\/strong>
\nPDF<\/strong><\/a> \/ ePUB<\/strong><\/span><\/p><\/a>\nT\u00edtulo:<\/b> Arte, memoria y resistencia ante la violencia de Estado en Chile y Argentina <\/span>
\n\nTitle<\/b>: Art, Memory and Resistance Facing State Violence in Chile and Argentina\n<\/span>

\n\nAutor \/ Author<\/b>: Windy M. Cosme Rosario<\/span>
\n\nUniversidad de Puerto Rico, Recinto de R\u00edo Piedras\n<\/span>

\n

Resumen<\/b>: Diferentes artistas contempor\u00e1neos, chilenos y argentinos, han desarrollado una importante producci\u00f3n en respuesta a los procesos de represi\u00f3n, violencia y crimen de Estado llevados a cabo durante los periodos dictatoriales y post-dictatoriales. En ese sentido, las artes visuales funcionan como forma de comunicaci\u00f3n de memorias adquiridas, producto de la violencia extrema y el trauma. Las obras de estos artistas muestran la funci\u00f3n del arte como medio de denuncia y acervo del recuerdo ante la urgencia de narrar aquello que se calific\u00f3 como inexplicable o poco cre\u00edble por la brutalidad de los actos. Partiendo de la interrogante \u201c\u00bfc\u00f3mo representar la tortura, la desaparici\u00f3n, la violaci\u00f3n, la impotencia, el terror, la crueldad, la tragedia, en fin, lo acontecido en una dictadura?\u201d, se comparar\u00e1n variantes a la luz de un marco te\u00f3rico conceptual, integrado, entre arte, representaci\u00f3n y memoria.<\/span><\/p>\n\n

Abstract<\/b>: Different contemporary artists from Chile and Argentina have worked in answer to the government repression, violence, and crimes that took place during the dictatorial and post-dictatorial periods in those countries. In this sense, the visual arts work as a form of communication of acquired memories, as a result of the extreme violence and trauma experienced. These artworks show how the arts work as a means of denunciation and collecting memories given the urgency of narrating what has been described as something inexplicable or unbelievable, given the butality of the acts. In answer to the question of how to represent torture, disappearance, rape, impotence, terror, cruelty, tragedy; in short, what happens in a dictatorship, a range of elements will be compared within a conceptual and theoretical framework integrating art, representation, and memory.\n<\/span><\/p>\nPalabras<\/b> clave<\/b>: Argentina, Arte, Chile, Derechos humanos, Memoria, Performance, Violencia de Estado<\/span>
\n\nKeywords<\/b>: Argentina, Art, Chile, Human rights, Memory, Performance, State violence<\/span>

\n\nSecci\u00f3n:<\/b> Art\u00edculos \/ Section<\/b>: Articles\u00a0<\/span><\/span>

\n\n\nPublicado:<\/strong> 30 de marzo de 2020.<\/span>

\n\nCita recomendada:<\/b> Cosme Rosario, Windy M. \u201cArte, memoria y resistencia ante la violencia de Estado en Chile y\nArgentina\u201d, Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 28 de marzo de 2020, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span>\n","protected":false},"excerpt":{"rendered":"

Resumen: Diferentes artistas contempor\u00e1neos, chilenos y argentinos, han desarrollado una importante producci\u00f3n en respuesta a los procesos de represi\u00f3n, violencia y crimen de Estado llevados a cabo durante los periodos dictatoriales y post-dictatoriales. En ese sentido, las artes visuales funcionan como forma de comunicaci\u00f3n de memorias adquiridas, producto de la violencia extrema y el trauma. Las obras de estos artistas muestran la funci\u00f3n del arte como medio de denuncia y acervo del recuerdo ante la urgencia de narrar aquello que se calific\u00f3 como inexplicable o poco cre\u00edble por la brutalidad de los actos. Partiendo de la interrogante “\u00bfc\u00f3mo representar la tortura, la desaparici\u00f3n, la violaci\u00f3n, la impotencia, el terror, la crueldad, la tragedia, en fin, lo acontecido en una dictadura?”, se comparar\u00e1n variantes a la luz de un marco te\u00f3rico conceptual, integrado, entre arte, representaci\u00f3n y memoria.
\nAbstract: Different contemporary artists from Chile and Argentina have worked in answer to the government repression, violence, and crimes that took place during the dictatorial and post-dictatorial periods in those countries. In this sense, visual arts work as a form of communication of acquired memories, as a result of the extreme violence and trauma experienced. These artworks show how the arts work as a means of denunciation and collecting memories given the urgency of narrating what has been described as something inexplicable or unbelievable, given the brutality of the acts. In answer to the question of how to represent torture, disappearance, rape, impotence, terror, cruelty, tragedy; in short, what happens in a dictatorship, a range of elements will be compared within a conceptual and theoretical framework integrating art, representation, and memory.<\/p>\n","protected":false},"author":125,"featured_media":1874,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[350,329,324,349,325,330,322,327,261,331,348],"class_list":["post-1835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-argentina","tag-art","tag-arte","tag-chile","tag-derechos-humanos","tag-human-rights","tag-memoria","tag-memory","tag-performance","tag-state-violence","tag-violencia-de-estado"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/125"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=1835"}],"version-history":[{"count":82,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1835\/revisions"}],"predecessor-version":[{"id":7115,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1835\/revisions\/7115"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/1874"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=1835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=1835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=1835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}