{"id":1614,"date":"2020-02-09T15:43:05","date_gmt":"2020-02-09T19:43:05","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1614"},"modified":"2025-10-20T10:57:34","modified_gmt":"2025-10-20T14:57:34","slug":"retrato-de-una-isla-que-no-existe","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/retrato-de-una-isla-que-no-existe\/","title":{"rendered":"Retrato de una isla que no existe"},"content":{"rendered":"\n

Tari Beroszi, Spanish Only, 2019.<\/span><\/em><\/p>\n\n

Texto completo \/ Full text<\/span><\/strong>
\nPDF<\/strong><\/a> \/ ePUB<\/strong><\/span><\/a><\/p>\nT\u00edtulo:<\/b> Retrato de una isla que no existe<\/span>
\nTitle<\/b>: Portrait of a Nonexistent Island\n<\/span>

\n\n\nAutor \/ Author:<\/b> Carlos Ortiz Burgos<\/span>
\n\nCr\u00edtico e Historiador del Arte Independiente<\/span>

\n\n\nResumen:<\/b>\u00a0<\/span><\/span>\n\nEn su presente exhibici\u00f3n en la Sala FAR, la artista Tari Beroszi, recientemente premiada con un Beca Pollock-Krasner, apunta su lente fotogr\u00e1fico hacia la situaci\u00f3n actual de la pol\u00edtica exterior de Puerto Rico. Provocando accidentes controlados, crea una serie de paisajes con elementos abstractos, a los que otorga una lectura pol\u00edtica e hist\u00f3rica, cargada de afirmaci\u00f3n de la identidad puertorrique\u00f1a y su visibilidad en un marco global.<\/span><\/p>

\n\n

Abstract<\/b>: Artist Tari Beroszi, recently awarded a Pollock-Krasner Grant, points her photographic lens towards the current situation of Puerto Rico\u2019s foreign policy in her present exhibition in the Sala FAR. Causing controlled accidents, she creates a series of abstract landscapes with a political and historical reading, loaded with affirmation of the Puerto Rican identity and its visibility, in a global framework.<\/span><\/p>\n\nPalabras claves:<\/b> Arte pol\u00edtico, Fotograf\u00eda, Fundaci\u00f3n \u00c1ngel Ramos, La isla invisible, PROMESA, Sala FAR, Tari Beroszi<\/span>
\n\nKeywords<\/b>: Political Art, Photography, \u00c1ngel Ramos Foundation, The Invisible Island, PROMESA, Sala FAR, Tari\nBeroszi<\/span>

\n\nSecci\u00f3n:<\/b> Exhibiciones \/ Exhibitions <\/span>

\n\nPublicaci\u00f3n: <\/b>9 de febrero de 2020<\/span>

\n\nCita recomendada:<\/b><\/span>\n\nOrtiz Burgos, Carlos. \u201cRetrato de una isla que no existe\u201d. Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 9 de febrero de 2020, humanidades.uprrp.edu\/visiondoble<\/span>\n\n\n","protected":false},"excerpt":{"rendered":"

Resumen: En su presente exhibici\u00f3n en la Sala FAR, la artista Tari Beroszi, recientemente premiada con un Beca Pollock-Krasner, apunta su lente fotogr\u00e1fico hacia la situaci\u00f3n actual de la pol\u00edtica exterior de Puerto Rico. Provocando accidentes controlados, crea una serie de paisajes con elementos abstractos, a los que otorga una lectura pol\u00edtica e hist\u00f3rica, cargada de afirmaci\u00f3n de la identidad puertorrique\u00f1a y su visibilidad en un marco global.
\nAbstract: Artist Tari Beroszi, recently awarded a Pollock-Krasner Grant, points her photographic lens towards the current situation of Puerto Rico’s foreign policy in her present exhibition in the Sala FAR. Causing controlled accidents, she creates a series of abstract landscapes with a political and historical reading, loaded with affirmation of the Puerto Rican identity and its visibility, in a global framework.<\/p>\n","protected":false},"author":4,"featured_media":1618,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[283,228,286,287,343,1694,284,285,282],"class_list":["post-1614","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibiciones","tag-arte-politico","tag-fotografia","tag-fundacion-angel-ramos","tag-la-isla-invisible","tag-photography","tag-political-art","tag-promesa","tag-sala-far","tag-tari-beroszi"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1614","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=1614"}],"version-history":[{"count":17,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1614\/revisions"}],"predecessor-version":[{"id":7109,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1614\/revisions\/7109"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/1618"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=1614"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=1614"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=1614"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}