{"id":1517,"date":"2020-02-02T00:25:19","date_gmt":"2020-02-02T04:25:19","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1517"},"modified":"2025-10-17T11:16:03","modified_gmt":"2025-10-17T15:16:03","slug":"el-cuerpo-politico-en-los-performances-de-regina-jose-galindo","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/el-cuerpo-politico-en-los-performances-de-regina-jose-galindo\/","title":{"rendered":"El cuerpo pol\u00edtico en los performances de Regina Jos\u00e9 Galindo"},"content":{"rendered":"\n

Regina Jos\u00e9 Galindo, \u00bfQui\u00e9n puede borrar las huellas?,<\/em> 2003. Foto: V\u00edctor P\u00e9rez. Fuente: http:\/\/www.reginajosegalindo.com\/en\/home-en\/<\/a><\/span><\/p>\n

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Texto completo \/ Full text<\/span><\/strong>
\nPDF<\/strong><\/a> \/ ePUB<\/strong><\/span><\/p><\/a>\nT\u00edtulo:<\/b> El cuerpo pol\u00edtico en los performances de Regina Jos\u00e9 Galindo<\/span>
\n\nTitle<\/b>: The Political Body in Regina Jos\u00e9 Galindo’s Performances\n<\/span>

\n\nAutor \/ Author<\/b>: Eliani A. Parrilla Rodr\u00edguez<\/span>
\n\nUniversidad Pompeu Fabra, Barcelona\n<\/span>

\n

Resumen<\/b>:Regina Jos\u00e9 Galindo utiliza la acci\u00f3n corporal en un sentido simb\u00f3lico, en un contexto pol\u00edtico y cultural. La noci\u00f3n de cuerpo es su principal forma aleg\u00f3rica para construir otras perspectivas, en contraste con las estructuras y pr\u00e1cticas sociales que lo categorizan. Esta herramienta creativa que caracteriza sus trabajos art\u00edsticos resignifican el orden simb\u00f3lico estructurado por el sistema hegem\u00f3nico opresor del Estado y la sociedad. Como mujer guatemalteca, Regina Jos\u00e9 Galindo practica el arte del performance desde su propio contexto para asumir su posici\u00f3n en la creaci\u00f3n de otros sentidos. Su trabajo creativo contiene una cr\u00edtica a las represiones por cuestiones de raza, clase y g\u00e9nero en la sociedad contempor\u00e1nea.<\/span><\/p>\n

Abstract<\/b>: Regina Jos\u00e9 Galindo uses corporal action in a symbolic sense, in a political and cultural context. The idea of body is the main allegorical form she uses to construct other perspectives, in contrast to the social structures and practices that categorize it. This characteristic creative tool in her artistic works resignifies the symbolic order structured by the hegemonic oppressive system of both the State and society. As a Guatemalan woman, Regina Jos\u00e9 Galindo practices performance art from her own context to assume her position in the creation of other meanings. Her creative work contains a critique of the repressions of race, class and gender in contemporary society.\n<\/span><\/p>\nPalabras<\/b> clave<\/b>: Arte de Guatemala, g\u00e9nero, performance, pol\u00edticas del cuerpo, Regina J\u00f3se Galindo<\/span>
\n\nKeywords<\/b>: Guatemalan Art, gender, performance art, body politics, Regina Jos\u00e9 Galindo<\/span>

\n\nSecci\u00f3n:<\/b> Art\u00edculos \/ Section<\/b>: Articles\u00a0<\/span><\/span>

\n\nRecibido<\/b> \/ Received<\/b>: 7 de junio de 2019 \/ Aceptado<\/b> \/ Accepted<\/b>: 13 de enero de 2020<\/span>\n\nPublicado:<\/strong> 2 de febrero de 2020.<\/span>

\n\nCita recomendada:<\/b> Parrilla Rodr\u00edguez, Eliani A. \u201cEl cuerpo pol\u00edtico en los performances de Regina Jos\u00e9 Galindo\u201d. Visi\u00f3n Doble: Revista de Cr\u00edtica e Historia del Arte<\/i>, 2 de febrero de 2020, humanidades.uprrp.edu\/visi\u00f3ndoble<\/span>\n","protected":false},"excerpt":{"rendered":"

Resumen:Regina Jos\u00e9 Galindo utiliza la acci\u00f3n corporal en un sentido simb\u00f3lico, en un contexto pol\u00edtico y cultural. La noci\u00f3n de cuerpo es su principal forma aleg\u00f3rica para construir otras perspectivas, en contraste con las estructuras y pr\u00e1cticas sociales que lo categorizan. Esta herramienta creativa que caracteriza sus trabajos art\u00edsticos resignifican el orden simb\u00f3lico estructurado por el sistema hegem\u00f3nico opresor del Estado y la sociedad. Como mujer guatemalteca, Regina Jos\u00e9 Galindo practica el arte del performance desde su propio contexto para asumir su posici\u00f3n en la creaci\u00f3n de otros sentidos. Su trabajo creativo contiene una cr\u00edtica a las represiones por cuestiones de raza, clase y g\u00e9nero en la sociedad contempor\u00e1nea.<\/p>\n

Abstract: Regina Jos\u00e9 Galindo uses corporal action in a symbolic sense, in a political and cultural context. The idea of body is the main allegorical form she uses to construct other perspectives, in contrast to the social structures and practices that categorize it. This characteristic creative tool in her artistic works resignifies the symbolic order structured by the hegemonic oppressive system of both the State and society. As a Guatemalan woman, Regina Jos\u00e9 Galindo practices performance art from her own context to assume her position in the creation of other meanings. Her creative work contains a critique of the repressions of race, class and gender in contemporary society. <\/p>\n","protected":false},"author":119,"featured_media":1526,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[265,263,269,268,267,261,266,260,259],"class_list":["post-1517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-arte-de-guatemala","tag-body-politics","tag-gender","tag-genero","tag-guatemalan-art","tag-performance","tag-performance-art","tag-politicas-del-cuerpo","tag-regina-jose-galindo"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/119"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=1517"}],"version-history":[{"count":31,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1517\/revisions"}],"predecessor-version":[{"id":7102,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1517\/revisions\/7102"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/1526"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=1517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=1517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=1517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}