{"id":1273,"date":"2019-11-10T17:58:15","date_gmt":"2019-11-10T21:58:15","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1273"},"modified":"2021-11-23T01:18:59","modified_gmt":"2021-11-23T05:18:59","slug":"del-sonido-del-barro-una-entrevista-a-gadiel-rivera","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/del-sonido-del-barro-una-entrevista-a-gadiel-rivera\/","title":{"rendered":"Del sonido del barro: una entrevista a Gadiel Rivera"},"content":{"rendered":"

Gadiel Rivera en su estudio-taller, San Juan, P.R.<\/span><\/p>\n[spacer height=”20px”]\n

Texto completo \/ Full text<\/span><\/strong>
\nPDF<\/a> \/ ePUB<\/a><\/span><\/strong><\/p>\n

Ti\u0301tulo:<\/b> Del sonido del barro: una entrevista a Gadiel Rivera <\/span><\/p>\n

Title:<\/b> On the Sound of Clay: An Interview with Gadiel Rivera<\/span><\/p>\n

Autor \/ Author:<\/b> Elizabeth Robles <\/span><\/p>\n

Artista y Educadora Independiente<\/span><\/p>\n

Resumen:<\/b> Gadiel Rivera, artista, maestro del torno y de las te\u0301cnicas de cera\u0301mica a mano, conversa sobre algunos procesos y conceptos en su trabajo. Tras recibir la beca de la Liga de Arte de San Juan a sus diecise\u0301is an\u0303os, estudio\u0301 con Carmelo Fonta\u0301nez, y con la artista y antropo\u0301loga Gloria Duncan. Se inicia entonces en la cera\u0301mica con Sylvia Blanco, en la Universidad Interamericana, a la par que continuaba sus estudios de bachillerato en la Escuela de Artes Pla\u0301sticas de San Juan. Esta entrevista ofrece un perfil de su formacio\u0301n arti\u0301stica, delineando la actividad vibrante de pensarse como creador pla\u0301stico.<\/span><\/p>\n

Abstract:<\/b> Gadiel Rivera, artist and a master of pottery and ceramic techniques at hand, talks about some processes and concepts in his work. After being recipient of the Art League of San Juan grant at sixteen, he studied with Carmelo Fonta\u0301nez, and with the artist and anthropologist Gloria Duncan. He then began working in ceramics with Sylvia Blanco, at the Interamerican University, while continuing undergraduate studies at the School of Plastic Arts in San Juan. This interview offers a profile of his artistic training, outlining the vibrant activity of thinking as a plastic creator.<\/span><\/p>\n

Palabras clave: <\/b>Gadiel Rivera, Artesani\u0301a, Cera\u0301mica, Espiritismo, Mangle <\/span><\/p>\n

Keywords:<\/b> Gadiel Rivera, Crafts, Ceramics, Spiritualism, Mangrove <\/span><\/p>\n

Seccio\u0301n:<\/b> Entrevistas \/ Section:<\/b> Interviews<\/span><\/p>\n

Publicacio\u0301n: <\/b>10 de noviembre de 2019<\/span><\/p>\n

Cita recomendada<\/b>: Robles, Elizabeth. \u201cDel sonido del barro: una entrevista a Gadiel Rivera\u201d, Visio\u0301n Doble: Revista de Cri\u0301tica e Historia del Arte, 10 de noviembre de 2019, humanidades.uprrp.edu\/visiondoble<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Resumen: Gadiel Rivera, artista, maestro del torno y de las t\u00e9cnicas de cer\u00e1mica a mano, conversa sobre algunos procesos y conceptos en su trabajo. Tras recibir la beca de la Liga de Arte de San Juan a sus diecis\u00e9is a\u00f1os, estudi\u00f3 con Carmelo Font\u00e1nez, y con la artista y antrop\u00f3loga Gloria Duncan. Se inicia entonces en la cer\u00e1mica con Sylvia Blanco, en la Universidad Interamericana, a la par que continuaba sus estudios de bachillerato en la Escuela de Artes Pl\u00e1sticas de San Juan. Esta entrevista ofrece un perfil de su formaci\u00f3n art\u00edstica, delineando la actividad vibrante de pensarse como creador pl\u00e1stico. <\/p>\n

Abstract: Gadiel Rivera, artist and a master of pottery and ceramic techniques at hand, talks about some processes and concepts in his work. After being recipient of the Art League of San Juan grant at sixteen, he studied with Carmelo Font\u00e1nez, and with the artist and anthropologist Gloria Duncan. He then began working in ceramics with Sylvia Blanco, at the Interamerican University, while continuing undergraduate studies at the School of Plastic Arts in San Juan. This interview offers a profile of his artistic training, outlining the vibrant activity of thinking as a plastic creator.<\/p>\n","protected":false},"author":51,"featured_media":1276,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[197,196,200,198,199],"class_list":["post-1273","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevistas","tag-artesania","tag-ceramica","tag-cimarron","tag-espiritismo","tag-mangle"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/51"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=1273"}],"version-history":[{"count":12,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1273\/revisions"}],"predecessor-version":[{"id":5736,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1273\/revisions\/5736"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/1276"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=1273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=1273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=1273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}