{"id":1220,"date":"2019-11-10T17:59:52","date_gmt":"2019-11-10T21:59:52","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1220"},"modified":"2021-11-23T01:17:58","modified_gmt":"2021-11-23T05:17:58","slug":"el-inevitable-vis-a-vis-caribeno-oda-a-la-plastica-dominicana","status":"publish","type":"post","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/el-inevitable-vis-a-vis-caribeno-oda-a-la-plastica-dominicana\/","title":{"rendered":"El inevitable vis-a-vis caribe\u00f1o: oda a la pl\u00e1stica dominicana"},"content":{"rendered":"[spacer height=&#8221;20px&#8221;]\n<p style=\"text-align: right;\"><strong><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\">Texto completo \/ Full text<\/span><\/strong><br \/>\n<strong><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><a href=\"https:\/\/drive.google.com\/file\/d\/1jOIiQHsHzPqeTu_xuM59H6QiVqAXQnC-\/view?usp=sharing\">PDF<\/a> \/ <a href=\"https:\/\/drive.google.com\/file\/d\/15Ll74fpwzCf5Lo2kCvtTiedUDaavAxvd\/view?usp=sharing\">ePUB<\/a><\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Ti\u0301tulo:<\/b> El inevitable vis a vis cariben\u0303o: oda a la pla\u0301stica dominicana <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Title:<\/b> The Inevitable Caribbean Vis-a\u0300-vis: Ode to Dominican Plastic Art<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Autor \/ Author:<\/b> Gelenia Trinidad Rivera<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\">Museo de Historia, Antropologi\u0301a y Arte de la Universidad de Puerto Rico<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Resumen:<\/b> A pesar de la proximidad geogra\u0301fica y de los lazos histo\u0301ricos comunes que unen Puerto Rico y la Repu\u0301blica Dominicana, pareceri\u0301a que esta fraternidad no ha cuajado tan profundamente en el terreno de la produccio\u0301n arti\u0301stica. Cuestionando estos y otros asuntos, las curadoras de la exhibicio\u0301n Tiempo, modo, lugar: nueva sintaxis de la pla\u0301stica dominicana abren un dia\u0301logo que tiene como protagonistas a los artistas participantes en la muestra, abierta en las salas de arte de la Fundacio\u0301n Corte\u0301s.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Abstract<\/b>: Despite the geographical and historical proximity that unite Puerto Rico and the Dominican Republic, it would seem that this fraternity has not so deeply set in the field of artistic production. Questioning these and other issues, the curators of the exhibition Tiempo, modo, lugar: nueva sintaxis de la pla\u0301stica dominicana [Time, Mode, Place: New Dominican Plastic Syntax] open a dialogue focused on the artists in the exhibition, which is open in the Fundacio\u0301n Corte\u0301s.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Palabras clave:<\/b> Adli\u0301n Ri\u0301os Rigau, Charlie Quesada, Eugenio Ferna\u0301ndez Granel, Fundacio\u0301n Casa Corte\u0301s, Gerard Ellis, Gustavo Pen\u0303a, Hulda Guzma\u0301n, Irene Esteves Amador, Jose\u0301 Bedia, Jose\u0301 Garci\u0301a Cordero, Quisqueya Enrique, Rafael Ferrer, Raquel Paiewonsky, Repu\u0301blica Dominicana<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Keywords:<\/b> Adli\u0301n Ri\u0301os Rigau, Charlie Quesada, Eugenio Ferna\u0301ndez Granel, Casa Corte\u0301s Foundation, Gerard Ellis, Gustavo Pen\u0303a, Hulda Guzma\u0301n, Irene Esteves Amador, Jose\u0301 Bedia, Jose\u0301 Garci\u0301a Cordero, Quisqueya Enrique, Rafael Ferrer, Raquel Paiewonsky, Dominican Republic<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Seccio\u0301n:<\/b> Entrevistas \/ <b>Section:<\/b> Interviews <\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Publicacio\u0301n:<\/b> 10 de noviembre de 2019<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 120%; font-family: arial, helvetica, sans-serif;\"><b>Cita recomendada: <\/b>Trinidad Rivera, Gelenia. \u201cEl inevitable vis a vis cariben\u0303o: oda a la pla\u0301stica dominicana\u201d, Visio\u0301n Doble: Revista de Cri\u0301tica e Historia del Arte, 10 de noviembre de 2019, humanidades.uprrp.edu\/visiondo<\/span>ble<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Resumen: A pesar de la proximidad geogr\u00e1fica y de los lazos hist\u00f3ricos comunes que unen Puerto Rico y la Rep\u00fablica Dominicana, parecer\u00eda que esta fraternidad no ha cuajado tan profundamente en el terreno de la producci\u00f3n art\u00edstica. Cuestionando estos y otros asuntos, las curadoras de la exhibici\u00f3n Tiempo, modo, lugar: nueva sintaxis de la pl\u00e1stica dominicana abren un di\u00e1logo que tiene como protagonistas a los artistas participantes en la muestra, abierta en las salas de arte de la Fundaci\u00f3n Cort\u00e9s. <\/p>\n<p>Abstract: Despite the geographical and historical proximity that unite Puerto Rico and the Dominican Republic, it would seem that this fraternity has not so deeply set in the field of artistic production. Questioning these and other issues, the curators of the exhibition Tiempo, modo, lugar: nueva sintaxis de la pl\u00e1stica dominicana [Time, Mode, Place: New Dominican Plastic Syntax] open a dialogue focused on the artists in the exhibition, which is open in the Fundaci\u00f3n Cort\u00e9s.<\/p>\n","protected":false},"author":104,"featured_media":1359,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[201,211,206,205,208,210,209,202,213,207,215,214,246,204],"class_list":["post-1220","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevistas","tag-adlin-rios-rigau","tag-charlie-quesada","tag-eugenio-fernandez-granel","tag-fundacion-casa-cortes","tag-gerard-ellis","tag-gustavo-pena","tag-hulda-guzman","tag-irene-esteves-amador","tag-jose-bedia","tag-jose-garcia-cordero","tag-quisqueya-enrique","tag-rafael-ferrer","tag-raquel-paiewonsky","tag-republica-dominicana"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/104"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=1220"}],"version-history":[{"count":15,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1220\/revisions"}],"predecessor-version":[{"id":5745,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/posts\/1220\/revisions\/5745"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media\/1359"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=1220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/categories?post=1220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/tags?post=1220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}