{"id":3212,"date":"2020-11-18T21:40:03","date_gmt":"2020-11-19T01:40:03","guid":{"rendered":"http:\/\/humanidades.uprrp.edu\/visiondoble\/?page_id=3212"},"modified":"2025-10-15T15:26:29","modified_gmt":"2025-10-15T19:26:29","slug":"archivo-2018","status":"publish","type":"page","link":"https:\/\/humanidades.uprrp.edu\/visiondoble\/archivo-2018\/","title":{"rendered":"Archivo 2018"},"content":{"rendered":"\n<h3 class=\"accordion_title\">Archivo 2018<\/h3><div class=\"accordion\" rel=\"\">\n\n<div class=\"accordion-item\"><a href=\"#\" class=\"accordion-title plain\"><button class=\"toggle\"><i class=\"icon-angle-down\"><\/i><\/button><span>Enero<\/span><\/a><div class=\"accordion-inner\">\n\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1302\"><strong>Ahogados y n\u00e1ufragos <\/strong>\/ Merdeces Trelles<\/a><\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=3878\"><strong>La cer\u00e1mica como excusa: entrevista a Sylvia Blanco<\/strong><\/a> \/ Daniel Exp\u00f3sito<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=3882\"><strong>The Tibes Museum: A Closer Encounter<\/strong><\/a> \/ Carlos Mart\u00ednez Palmer<\/p>\n\n<\/div><\/div>\n<div class=\"accordion-item\"><a href=\"#\" class=\"accordion-title plain\"><button class=\"toggle\"><i class=\"icon-angle-down\"><\/i><\/button><span>Febrero<\/span><\/a><div class=\"accordion-inner\">\n\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4130\"><strong>La pintura y su estrategia de contagio: influencias de la cultura digital en la pr\u00e1ctica pict\u00f3rica contempor\u00e1nea<\/strong><\/a> \/ Lara Morcillo Santiago<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=3887\"><strong>Estampar la arquitectura: Murales de Jaime Su\u00e1rez para el Paseo Puerta de Tierra<\/strong><\/a> \/ Daniel Exp\u00f3sito<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4133\"><strong>Shipwrecked and Drowning: Ad\u00e1l Maldonado&#8217;s Puerto Ricans Underwater<\/strong><\/a> \/ Mercedes Trelles<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4139\"><strong>Ivelisse Jim\u00e9nez: transparencia, transitoriedad y emergencia<\/strong><\/a> \/ David Auerbach<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4142\"><strong>Ivelisse Jim\u00e9nez: Transparency, Transience and Emergency<\/strong><\/a> \/ David Auerbach<\/p>\n\n<\/div><\/div>\n<div class=\"accordion-item\"><a href=\"#\" class=\"accordion-title plain\"><button class=\"toggle\"><i class=\"icon-angle-down\"><\/i><\/button><span>Abril<\/span><\/a><div class=\"accordion-inner\">\n\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4125\"><strong>La vida no lleva t\u00edtulo<\/strong><\/a> \/ Alexandra Pag\u00e1n<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4148\"><strong>Looking for Duchamp in Mayag\u00fcez, PR<\/strong><\/a> \/ Jan Galligan y Lillian Mulero<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4184\"><strong>A Sensorial Education: Personal History of the Female Nude in Painting, by Rafael Argullol<\/strong><\/a> \/ Rosario Romero<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=1315\"><strong>Rosa Calasso<\/strong><\/a> \/ Lilliana Ramos Collado<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=4121\"><strong>Willie Bester: An Artist Resisting the Injustices of Post-Apartheid in South Africa<\/strong><\/a> \/ Ivette P\u00e9rez Vega<\/p>\n\n<\/div><\/div>\n<div class=\"accordion-item\"><a href=\"#\" class=\"accordion-title plain\"><button class=\"toggle\"><i class=\"icon-angle-down\"><\/i><\/button><span>Junio<\/span><\/a><div class=\"accordion-inner\">\n\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5807\"><strong>La esquiva materialidad del mundo: Dhara Rivera entre cenizas <\/strong><\/a>\/ Lilliana Ramos Collado<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5810\"><strong>It&#8217;s complicated. Unas notas sobre las relaciones entre la arquitectura moderna y el cine de ciencia ficci\u00f3n<\/strong><\/a> \/ Rafael Jackson<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5815\"><strong>\u00bfAprender de Atenas?<\/strong><\/a> \/ Rosario Romero<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5818\"><strong>Estar y hacer: la diferencia entre &#8220;l&#8217;union fait la force&#8221; y en la uni\u00f3n est\u00e1 la fuerza<\/strong><\/a> \/ Carlos Ortiz Burgos<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5821\"><strong>De lo formal a la tempestad: Ludwig Medina Cruz en Galer\u00eda Betances<\/strong><\/a> \/ Ram\u00f3n L\u00f3pez Col\u00f3n<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5825\"><strong>Libros, verdades antiguas con nueva luz<\/strong><\/a> \/ Abd\u00edas M\u00e9ndez Robles<\/p>\n\n<\/div><\/div>\n<div class=\"accordion-item\"><a href=\"#\" class=\"accordion-title plain\"><button class=\"toggle\"><i class=\"icon-angle-down\"><\/i><\/button><span>Agosto<\/span><\/a><div class=\"accordion-inner\">\n\n<p><strong><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5785\">AQU\u00cd: el &#8220;Queering&#8221; de espacios arquitect\u00f3nicos a trav\u00e9s de Afiches In-Situ<\/a><\/strong>\/ Regner Ramos<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5829\"><strong>Tres grandes historiadores del arte<\/strong><\/a> \/ Indira de Choudens<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5832\"><strong>Marimar Ben\u00edtez: una larga trayectoria en el arte puertorrique\u00f1o<\/strong><\/a> \/ Nilsevady Fuss\u00e1 Ayuso<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5835\"><strong>Las formas de los Puerto Ricos: Jos\u00e9 A. Vega en el Museo de la Historia de Ponce<\/strong><\/a> \/ Juan Carlos L\u00f3pez<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5839\"><strong>El refugio de REM<\/strong><\/a> \/ Carlos Ortiz Burgos<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5788\"><strong>AQU\u00cd: Queering Architectural Space through Site-Based Posters<\/strong><\/a> \/ Regner Ramos<\/p>\n\n<\/div><\/div>\n<div class=\"accordion-item\"><a href=\"#\" class=\"accordion-title plain\"><button class=\"toggle\"><i class=\"icon-angle-down\"><\/i><\/button><span>Octubre<\/span><\/a><div class=\"accordion-inner\">\n\n<p><strong><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5792\">El recuerdo instant\u00e1neo del presente: entrevista a Jochi Melero<\/a>\u00a0<\/strong>\/ Miguel Figueroa<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5797\"><strong>La poes\u00eda del desapego en el Volver a casa, de Yadira Hern\u00e1ndez-Pic\u00f3<\/strong><\/a> \/ Paula Mar\u00eda Arribas<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5800\"><strong>Mitos y dioses, recontruyendo la leyenda<\/strong><\/a> \/ Abd\u00edas M\u00e9ndez Robles<\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/?p=5803\"><strong>Retratar la longevidad<\/strong><\/a> \/ Carlos Ortiz Burgos<\/p>\n\n<\/div><\/div>\n<div class=\"accordion-item\"><a href=\"#\" class=\"accordion-title plain\"><button class=\"toggle\"><i class=\"icon-angle-down\"><\/i><\/button><span>Diciembre<\/span><\/a><div class=\"accordion-inner\">\n\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/el-territorio-del-alma-la-busqueda-del-yo-a-traves-del-otro-2\/\"><strong>Territory of the Soul: The Search for One&#8217;s Self through the Other<\/strong> \/ Laura T\u00edscar Garc\u00eda<\/a><\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/un-jardin-de-arnaldo-roche-rabell-en-el-mapr\/\"><strong>Un jard\u00edn de Arnaldo Roche Rabell en el MAPR<\/strong> \/ Lilliana Ramos Collado<\/a><\/p>\n<p><a href=\"https:\/\/humanidades.uprrp.edu\/visiondoble\/empuje-y-resistencia-autorretratos-de-arnaldo-roche-rabell\/\"><strong>Empuje y resistencia: Autorretratos de Arnaldo Roche Rabell<\/strong> \/ Lilliana Ramos Collado<\/a><\/p>\n<p>\u00a0<\/p>\n\n<\/div><\/div>\n\n<\/div>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3212","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/pages\/3212","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/comments?post=3212"}],"version-history":[{"count":30,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/pages\/3212\/revisions"}],"predecessor-version":[{"id":7087,"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/pages\/3212\/revisions\/7087"}],"wp:attachment":[{"href":"https:\/\/humanidades.uprrp.edu\/visiondoble\/wp-json\/wp\/v2\/media?parent=3212"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}