Sargasso Author Index E-G

E

Eastley, Aaron

- “Shaping a Symbol: Schwarz-Bart’s Visions and Revisions of His Guadeloupian Heroine in La Mulâtresse Solitude.” Sargasso 2002, II (pg. 31-44).

Erwin, Lee

-“Please Stop:’ Women’s Time in Voyage in the Dark.” Sargasso 6 (pg. 12-22).

Espada, Margarita

-“ Colectivo Yerbabruja.” Sargasso 2000, I (pg. 152-154).

Espada, Santos Margarita and John Lutterbie

-“Who is Eating Whom? Caníbal es el Mundo.”Sargasso 2004-05, Special Issue (pg. 77-84).

Everson, Sally

-(Review of) Turn Thanks by Lorna Goodison. Sargasso 2001 (pg. 101-107).

-(Review of) Caribbean Masculinities: Working Papers edited by Rafael L. Ramírez, Víctor I. Garcia-Toro, and Ineke Cunningham. Sargasso 2002, II (pg. 146-148).

-Remembrance of Edward Said. Sargasso 2003-04, II (pg. 154).

-(Review of) Creole Recitations: John Jacob Thomas and Colonial Formation in the Late Nineteenth-Century Caribbean by Faith Smith. Sargasso 2004-05, I (pg. 149-151).

-(Review of) The Internationalization of English Literature: Oxford English Literary History Volume 13 1948-2000 by Bruce King. Sargasso 2004-05, II (pg. 118-120).

F

Faraclas, Nicholas and Marta Viada Bellido de Luna

- “Pidgins and Creoles of the Colonial Era: Languages of Social Contact or Languages of Social Contract?”Sargasso 2004-05, I (pg. 35-60).

Farquharson, Joseph T.

-“Literary Revolution and Decolonisation in Louise Bennett’s Poetry.” Sargasso 2002, II (pg. 45-56).

Fayer, Joan M.

-(Review of) Central American English edited by John Holm. Sargasso 2 (pg. 58).

-(Review of) From Oral to Literate Culture: Colonial Experience in the English West Indiesby Peter A. Roberts. Sargasso 10 (pg. 98-100).

-Remembrance of Antonio Benitez Rojo. Sargasso 2005-06, I (pg. 165).

Feal, Elsa Luciano

-(Review of) What We All Long For by Dionne Brand; Sargasso 2005-06, II (pg. 137-138).

Feliu, Edwin

- “Lost,” “Confusion,” “I Wondered” (poems). Sargasso 9 (pg. 79-81).

Fernandez, Juanma

- “Nuyorican Manifesto.” Sargasso 2005-06, II (pg. 125-128).

Ferré, Rosario

-“Negative” (poem). Sargasso 4 (pg. 36).

-“Opprobrium” (poem). Sargasso 4 (pg. 33).

-“Positive” (poem). Sargasso 4 (pg. 35).

- “To the Knight of the Rose” (poem). Sargasso 4 (pg. 34).

Fiet, Lowell

-(Review of) Third World Poems by Edward Kamau Brathwaite. Sargasso 1 (pg. 62-66)

-(Review of) The Pleasures of Exile by George Lamming. Sargasso 3 (pg. 78-85).

-(Review of) Lionheart Gal: Life Stories of Jamaican Women by Sistren. Sargasso 4 (pg. 83-88).

-(Review of) Grenada: The Jewel Despoiled. Sargasso 5 (pg. 94-102).

-“Reading History Into Subjectivity in Wide Sargasso Sea.”Sargasso 6 (pg. 47-51).

-“ Caribbean Drama and Performance: Editorial Essay.” Sargasso 7 (pg. 1-3).

-“BREAD AND PUPPET: La estética de la lentitud o se detiene ‘la movida.’” Sargasso 7 (pg. 67-68).

- (Review of) Recent Puerto Rican Theater: Five Plays from New York edited by John Antush. Sargasso 8 (pg. 96-99). -Remembrance of Edward Said; Sargasso 2003-04, II (pg. 154-155).

-A Tribute to Gerald Guinness: Here and Elsewhere. Sargasso 9 (pg. 94-97).

-(Review of) Beating a Restless Drum: The Poetics of Kamau Brathwaite and Derek Walcott by June D. Bobb. Sargasso 10 (pg. 113-115).

-By way of introduction: “Performance and Text in Caribbean Literature and Art.” Sargasso Special Issue 1999 (pg. vii).

- Walcott’s Way: “Do you know where you are?” “At a crossroads in the moonlight.” Sargasso 1999 Special Issue (pg. 103-114).

-“end false illusions of the beginning of time:” the poetic space of e/im/migration in the poetry of Pedro Pietri. Sargasso 2000, I (pg. 45-57).

- “Introducción: Hablar, nombrar, pertenecer: el juego entre El idioma y la identidad en la(s) cultura(s) caribeña(s).” Sargasso 2000, II (pg. 5-12).

-“Ancestors” (poem). Sargasso 2000, III (pg. 224-226).

-“Re-imágenes de un teatro popular.” Sargasso 2000, III (pg. 159-168).

-“ ¿Cultural (con)Fusion? What does it Mean?” Sargasso 2000, IV (pg. iii).

-Remembrance of Antonio Benitez Rojo. Sargasso 2005-06, I (pg. 166).

File-Muriel, Richard J.

-“Defining Target Language in Language Genesis.” Sargasso 2002, II (pg. 57-74).

Fragoza, Carole

-Poem. Sargasso 1 (pg. 46).

Fritz, Sonia

-(Review of) In the Name of Salomé by Julia Álvarez. Sargasso 2002, I (pg. 146).

-“Claves para una producción en cine y video.” Sargasso 2003-04, II (pg. 1-12).

G

García, Gervasio

-Remembrance of Edward Said. Sargasso 2003-04, II (pg.148).

García, Julio

- “Eclosión final” and “La Espera.” (Drawings). Sargasso 6 (pg. iii).

García, Kino

-“Puerto Rico: Towards a National Cinema.” Sargasso 8 (pg. 70-74).

García Ramis, Magali

-A Talk. Sargasso 4 (pg. 68-75).

Garriga-López, Adriana

- “the last of the days” (Dedication). Sargasso 9 (pg. 1).

- (Review of) The Professor in Ruins by Javier Ávila. Sargasso 2006-07, I (pg. 101-104).

Gelpí, Juan G.

-(Review of) Latin American Dramatists. First Series. Dictionary of Literary Biography, edited by Adam Versényi; Sargasso 2005-06, II (pg. 134-136).

Gibbons, Rawle

-“Band Meet Band:” Carnival and Text in a Production of Walcott’s Drums and Colours.”Sargasso 2000, IV (pg. 95-106).

Gillepsie, Carmen R.

-“I come from a place where breath, eyes, and memory are one…” Ritual, Memory, and the Search for Homeplace in Edwidge Danticat’s Breath, Eyes, Memory; Sargasso 1999 Special Issue (pg. 64-75).

-“ Barbados, the land of pretense…”A Conversation with Diva Alexander de Beauvoir.” (Interview) Sargasso 2005-06, I (pg. 7-28).

Goldfarb, Claire

-“V.S. Naipaul’s Narrative Art: Salim in A Bend in the River.” Sargasso 2 (pg. 22-37).

González, Josemilio

- An Interview. Sargasso 5 (pg. 34-39).

- Six Poems on Haiti. Sargasso 5 (pg. 40-53).

- Six Poems on Haiti. Sargasso Special Issue 1988 (pg. 20-25).

Goodison, Lorna.

-“Gleanings” (poem). Sargasso 5 (pg. 9).

- Interview by Lowell Fiet (transcribed by David Lizardi). Sargasso 2001 (pg. 9-20).

- “She Walks Into Rooms” (poem). Sargasso 5 (pg. 10).

- Five Poems Translated into Spanish (translated by Janette Becerra). Sargasso 2001 (pg. 1-8).

Goran, Lester and Prudence Layne

- “ Haiti: History, Voice, Empowerment -An Interview with Edwidge Danticat.”Sargasso 2004-05, II (pg. 3-18).

Gosser Esquilin, Mary Anne

-“Marie Chauvet and Edwidge Danticat: Dramatic Narratives or Haitian Dances Macabres.” Sargasso 1999, Special Issue (pg. 76-93).

-(Review of) The Dew Breaker by Edwidge Danticat. Sargasso 2004-05, II (pg. 93-96).

Graciano, Berta

-“We are no longer là-bas : Immigration and Gender Differences in Liliane Dévieux’s Piano Bar.” Sargasso 1999, Special Issue (94-102).

Grant, Kala N.

-“Alison Hinds and Marion Hall: Positioning Female Sexuality from East to West.” Sargasso 2003-04, I (pg. 43-54).

Greenberg, Linda

- “Sweet Earth that Bears Fruits” (poem). Sargasso 9 (pg. 78).

Grosfoguel, Ramón

-“Colonial Caribbean Migrations to France, the Netherlands, Great Britain and the United States.” Sargasso 2000, I (pg. 58-80).

Guiness, Gerald

-“V.S. Naipaul: Should He Come Home and Stop Criticizing the Third World?” Sargasso Special Issue. 1988 (pg. 150) .

-“Wide Sargasso Sea: Two Arguments.” Sargasso 6 (pg. 43-46).

-(Review of) The Arkansas Treatment by Derek Walcott. Sargasso 6 (pg. 72-78).

-(Review of) The Art of Derek Walcott edited by Stewart Brown. Sargasso 8 (pg. 75-77).

-(Reply to) to the review of Here and Elsewhere (Sargasso 9); Sargasso 10 (pg. 116-118).

Guzman, Rosa

- “Escritura e identidad: ¿Quien dice ‘yo’ En la autobiografia puertorriqueña?” Sargasso 2005-06, II (pg. 103-112).